A Rustic Yarn

A truly rustic yarn, made in a small scale production, is so wholesome it resonates history with each stitch.  In a bygone era yarn was made for the locals, from the local sheep, with woolen mills scattered along rivers, because at one time before the use of electricity it was the power of water which drove the machinery.  Those ancient days are gone now, but there are still a few yarn mills today, making yarn with very old  machinery, in small batches.

Image result for old primitive painting of sheep

In small scale production, a whole fleece off-the-sheep, in its entirety, would be carded and blended, often with no ‘skirting’, and with all the varying shades a natural fleece can have, resulting in each batch being very individual, and creating what I call a rustic yarn.  Today there are still a few old mills standing , where the end result of making yarn is nearly as it was done on the small holding farms.  I might add how nice these small scale boutique mills are for the Indie Designer who wishes to produce a personal line of yarn to sell and with which to prototype their designs, and I am observing a growing number of such designers who are doing this that it seems to have become the fashionable In Thing.  

This of course all is leading up to a Mill Tour, with a short film I recently discovered, about one of those few old mills still standing,   Cushendale Woolen Mills,  in Ireland…

I just love these films of old mills.  Evidently I have begun to collect quite a few, so have created a category on Yarnings called “Mill Tours”,  so click HERE to peruse them all ~~~ I hope you enjoy them as much as I do.

Fish a little, croft a little, weave a yard or two.

I am so inspired by this video about the weavers and the local culture around Harris Tweed, on the Isle of Lewis & Harris in Scotland’s outer Hebrides. I seem to be hooked on these woolen mill films these days! I am not so much infatuated with the idea of weaving the tweed yarn, but if I could be immersed into any one part of the process, it would be the blending and carding of the many colors of wool for the tweed affect in yarn spinning.  This is what excites me the most, and thinking a lot about what to card next on my new blending board.  I realize that I am , and always have been a colorist.  Like a painter dreams of mixing pigments on palette, I am the very same, and training to see past the surface into a hidden palette of color in the fiber.   Anyway, I hope you enjoy this video I’ve watched now countless times…