Wool carders, and an anniversary.

I have got an almost new pair of Schacht hand carders, for a great bargain, from someone who didn’t need or want them anymore, practically a gift.  These are an essential part of my blending experiments past and future! Rather a coincidence as before I had a nice pair of  carders given to me decades ago, along with a splendid drop spindle, from someone who couldn’t use them. Now that I think about it, that was the chance reason I started spinning in the first place. 

Little sentimental pieces of my creative life are falling into place,  one re-acquisition at a time, and I think I am fully kitted now, having all the bare essential tools of the trade.  Anyway, as creative energy slowly returns, so do lists of ideas, rolling out on the straight and narrow progressing path,  in patient commitment to my knitting & spinning,  and sharing the process here on my blog.  

Speaking of this blog, I want to mention that it was ten year anniversary a couple of days ago, when I started this WordPress blog  with this first post ( soon thereafter I transferred all the relevant earlier dated posts from another blog I had)   and ever since I have truly been immersed in what it has become, documenting my life and my creative endeavors,  things and details which may have otherwise been forgotten.  

I love blending colors and fibers , even more than spinning, and almost as much as knitting! The reason I wanted a pair of wool carders is because I hope to pre-blend some color and tweedy neps before layering on my blending board, as I have learned that my jumbo sized board really is a work of labor to load and reload, quite exhaustive for fine tuning blends. Sometimes I have to lift and reblend the 50g batts three or four times before it is nicely homogenized, then multiply that by about 10 to make 500g, it becomes a serious amount of work. So I am thinking about using hand carders to premix parts of the blend, and curious to see if I can have more control over the results as well as save myself a lot of effort.  Coming up– premixes from the hand carders to layer into a fully loaded blending board project — watch this space! 

Opalescent Spun

jenjoycedesign© opalescent 1

Opalescent is all spun.

I am amazed how six distinct pastel colors can just disappear into each other . . .

jenjoycedesign© opalescent 2

It is magic how when blended, spun and plied,  the colors homogenize into a silvery light grey.

But in this photo I enhanced color saturation with digital effects . . .

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so you can see the subtle splashes of lavender, orange, yellow, mint green, pale blue, and pink, just as the original dyed fiber was before blending together . . .

It nearly defies logic how mixing opposites on the color wheel simply neutralize each other. I honestly can say, of all my experiments in Tweed Chronicles, this one surprises me the most!

See the blending recipe for Opalescent  HERE

See all Tweed Chronicles HERE.

Tweed Chronicles: Color Saturated Neutral

jenjoycedesign© spun
I have successfully made a color saturated neutral.

Nested in a mountain of other neutral tones, you don’t see it right away,

   but look at where I started …

jenjoycedesign© primary & secondary mix
Primary and secondary colors all in exact equal amounts …

carded three times on the blending board  …

then drawn out into tasty wool sausages !
jenjoycedesign© rolags

If you check out my Primary triad blend here ,  I’ll say that the secondary triad blend experiment was much the same, nearly indistinguishable from the primary , and theoretically should be the same for any color triad on the color wheel .  Tertiary triads too, and lighter values of the triads; as light blue for blue, pink for red, aqua for teal, peach for orange, etc.

In this experiment,  I used two triads together ;  primary + secondary ,  for my ultimate color-saturated neutral, and I must say this blend was really fun to spin … the colors are all there. 

jenjoycedesign© spun detail

I’ve got my color-saturated-neutral base recipe, a base for my own color palette of ‘slightly earthy heathers’ , as I’ve never been drawn to vivid hues when buying yarns.  From a color-saturated neutral I can base everything, light or dark, and with color intensity varying.  I’m looking forward to developing more recipes ~~ watch this space!

♣     ♣     ♣

Techy stuff …

  • Equal amounts of each of primary: red, yellow, and blue , and/or secondary: purple, orange and green.
  • Layered very thinly one color at a time, alternately.  I mean really a lot of thin layers … using  this technique,
  • Lifted batt, layered again, total of three times.
  • Drew off rolags.
  • Colorway blend:  “Color Saturated Neutral” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

 

Tweed Chronicles: nine skeins

Nine tweed experiments.

Okay, I have now edited in the finished spun skeins into their respective posts, starting the last one Tweed Chronicles.  Not all of these experiments yielded great results, but I had a colossal learning curve, and I am pleased to see that my most recent is indeed my best…

jenjoycedesign© tweed

With these two as close seconds…

jenjoycedesign© tweed2

But my spinning wheel and blending board are put away as I must get to work and finish up my nieces sweaters, while pondering my next Autumnal obsession immediately thereafter!

A blending hybrid…

jenjoycedesign© handmix & carded rolags 1
I am deeply immersed in fiber and color mixing with fiber.

jenjoycedesign© 1
More like obsessed!

This study of tweed & color is finally starting to take a direction.

It all began a few months ago when I was discovering one after another of old mill videos, and longing to make tweed yarn by my own hand, and without the colossal expense of a drum carder.  I talk about it back in a mid-summer post.  Since I  made myself a blending board, I can’t leave it alone, and so naturally I’d be inventing my own blending recipes which I am merrily posting quite feverishly lately, and I am progressing quite rapidly to understanding tweeded color in yarn.
jenjoycedesign© 3

Okay, so these plum wool sausages are the most recent experiment, a hybrid actually, wherein I am including hand-mixing and also a bit of carding,  with hand carders against my blending board, just like a flat rendition of a drum carder.  You don’t need to use hand carders, you can use a wire tooth pet brush too.

((Actually, a bit of a spoiler, but next blending experiment I will only card, and using only the blending board without a hand carder, and in doing so I realize that doing both the hand mix and carding in the same is overkill. ))

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This big beautiful batt of once carded fiber, gets loaded back on for a second finer mix, and then the final mix gets drawn off into rolags.

And then I’ve begun to spin….

jenjoycedesign© 4

For the best homogenization of color, I feel that I need to steer away from varying fiber textures, so this is all wool & alpaca, no bamboo or silk, because I want no clumping up of fibers if possible in this finer tweed color mix, with solid colors still coming out in hints , but no color splashing.

Here is the final result of this fiber blending recipe, although the camera is not catching the spectrum of colors well, they’ve hazed into a nice grey plum pudding!

jenjoycedesign© hand-mix plied

Fibers used in this micro batch are: grey baby alpaca, blue Corriedale, red Corriedale, and fuscia Merino.  Here is what I am doing , as illustrated by a photo slideshow at the bottom of the post.

  1. Portion out the fiber you would like to mix, weighing if possible.
    Divide into smaller manageable piles to mix by hand.
  2. One at a time, mix fibers in the smaller piles by hand, holding each end and firmly pulling fiber apart. Repeat as desired — I did this about 10 times each, but you can do more or less.
  3. Fill teeth of blending board with hand-mixed fiber.
  4. With hand carder, card wool and then pull off of carders.
  5. Repeat until all fiber has been carded, and lift off batt of remaining fiber on blending boad.
  6. Fill teeth with carded fiber,  combing between applications to fill teeth as much as possible.
  7. Draw fiber out into rolags!

For all posts on my Fiber Blending Recipes HERE

Here’s the show!

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Voila!

jenjoycedesign© blending 2

Voila!

jenjoycedesign© blending 4

In this post   I show you the blending of fibers for this handspun yarn,

and the recipe I am calling Fiber Blending 1.

jenjoycedesign© blending 5

59 grams of yarn; relaxed, slightly slubby, infused with jewel tones.

I’m off to town, see you on the flipside with a more in-depth look at a little trick I discovered while blending the fiber for this yarn!