A Rustic Yarn

A truly rustic yarn, made in a small scale production, is so wholesome it resonates history with each stitch.  In a bygone era yarn was made for the locals, from the local sheep, with woolen mills scattered along rivers, because at one time before the use of electricity it was the power of water which drove the machinery.  Those ancient days are gone now, but there are still a few yarn mills today, making yarn with very old  machinery, in small batches.

Image result for old primitive painting of sheep

In small scale production, a whole fleece off-the-sheep, in its entirety, would be carded and blended, often with no ‘skirting’, and with all the varying shades a natural fleece can have, resulting in each batch being very individual, and creating what I call a rustic yarn.  Today there are still a few old mills standing , where the end result of making yarn is nearly as it was done on the small holding farms.  I might add how nice these small scale boutique mills are for the Indie Designer who wishes to produce a personal line of yarn to sell and with which to prototype their designs, and I am observing a growing number of such designers who are doing this that it seems to have become the fashionable In Thing.  

This of course all is leading up to a Mill Tour, with a short film I recently discovered, about one of those few old mills still standing,   Cushendale Woolen Mills,  in Ireland…

I just love these films of old mills.  Evidently I have begun to collect quite a few, so have created a category on Yarnings called “Mill Tours”,  so click HERE to peruse them all ~~~ I hope you enjoy them as much as I do.

Fish a little, croft a little, weave a yard or two.

I am so inspired by this video about the weavers and the local culture around Harris Tweed, on the Isle of Lewis & Harris in Scotland’s outer Hebrides. I seem to be hooked on these woolen mill films these days! I am not so much infatuated with the idea of weaving the tweed yarn, but if I could be immersed into any one part of the process, it would be the blending and carding of the many colors of wool for the tweed affect in yarn spinning.  This is what excites me the most, and thinking a lot about what to card next on my new blending board.  I realize that I am , and always have been a colorist.  Like a painter dreams of mixing pigments on palette, I am the very same, and training to see past the surface into a hidden palette of color in the fiber.   Anyway, I hope you enjoy this video I’ve watched now countless times…

Knitting In A Room

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Mid day light seems to pour though windows, filtered through a mulberry tree and various shrubs, into this quiet warm room. There is my favorite knitting chair, **temporarily transplanted from its mountain home to this echoey clean & empty place, kept company by my knitting basket, cup of coffee-to-go, and myself.  Oh, but is that a sleeve cradled in it’s seat?

jenjoycedesignknitting-in-a-room

Oh, perhaps more than just a sleeve, it looks like maybe three sleeves and two bodies, which means only one thing…

jenjoycedesign-nearly-all-the-pieces

It is nearly time to join all the pieces together to make a couple of lovely cardigans to greet the Autumnal equinox.  My usual first weeks in September are all about this stretch of frenzy knitting into my favorite season of all.

I also wanted to share with you something very fun I ran across on a series of internet clicks I wandered down this morning, ending up at an old mill in UK.  Here is a room with spinning, and all the rhythms and sounds associated with milling yarn put to music, a lovely little video for you all to enjoy as I have, called ‘A Short Day At The Mill’…

And here is another similar, but with more footage called ” A Long Day At The Mill ”

** Knitting chair & basket is occupying a corner space in a room of the house Jeff has been renovating for nearly 6 months (with a little bit of my help) and finally, it is empty & glowingly ready to find a new owner, as I knit while waiting for real-estate agents to show intermittently.   No worries, I am not moving, nor is Jeff, this is but his old house in town that he lived in when we met in the summer of ’94.
Bye bye old house, it was nice revisiting your rooms, and I will miss you.

Posted From Italy

storiedilana

The Wool Box ~ 100% made in Biella, Italy ~ photo by Manuele Cessonello

There is a place in Northern Italy which is nestled in the beautiful foothills of the Alps, called Biella.  High mountain pastures and bountiful springs and lakes has been intrinsic to Biella’s  standing in the wool & textiles industry as far back as mid 13th century.  However, since the turn of the modern 21st century,  the wool industry has suffered from widespread global competition.  Today, the “Wool Box” is there,  still in the midst of it all,  striving to keep heritage wools alive and well and most importantly ~~  available.

The Wool Box offers a carefully curated selection of rare Italian and European wool yarns in addition to a fine selection of wool roving for spinners and felters. The Wool Box focuses on short supply chain processing and full traceability of materials so that their 100% Italian wool means exactly that.

I am very excited to have the opportunity to design ‘a little something’ for the Wool Box, and folks, today I have just received yarn sent all the way from Northern Italy from the hands of Bonnie, volunteer English-speaking ambassador of the  Wool Box.  To me it resembles freshly pulled taffy from off of a candy pull machine, and swirls with such pleasurable tones of color & personality, that I can hardly wait to be flung into a spree of maniacal knitting.

jenjoycedesign©Oropa 1ply yarn

I hope that this project will breed other designs for the Wool Box yarns, as Bonnie has of course, sent me an armful of samples, which could very possibly keep me busy for a good long while, and of which I will show off another time. (Thank you Bonnie!)

For now, I am watering at the mouth at this beautiful duo of Oropa 1 ply wool from an historic wool mill of Biella, with one wish on my mind  . . .

jenjoycedesign©Oropa 1ply yarn2

. . . and that is to have this design finished and ready for knitters before the cool weather subsides in the Northern Hemisphere.  I will keep you posted as I go along.

You can read all posts about this design for The Wool Box with Oropa 1ply HERE

In the meantime, if you would like to find out more about the Wool Box, Bonnie has created a place for it on Ravelry HERE  and on Facebook HERE.

Lastly, You can read more about “The New History of Italian Wool”  from Bonnie’s blog called “Wool In Italy” . . .  on her post HERE .