Tweed Chronicles: A fiber blending color trick….

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Gorgeous pearlescence like beach shells…

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Made from nice combed top roving,  so there’ll be no bumps and slubby bits in this batch, and the amazing thing is that all the color in these rolags are from combing tips of stash yarn!

During my last blending post, I discovered a “yarn brush” technique, and having invented this for myself, I feel like I should explain how I do it.  From doing a few times I think it is easiest to to cut a handful of the yarn, in lengths about 4 to 6 inches, loop around and hold the ‘brush’ firmly in the middle. I am using my paintbrush comb, but you can use hand carders or a fine tooth comb, and comb the ends of the yarn to loosen up and fray the plies, which then you can then push into the carding teeth…

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I’ve found that most of the looser plied fluffy yarns, like some Berocco  Inca Tweed I had handy, work best, and certainly any of the single ply yarns work beautifully without the combing the tip, they just brush off into the carding cloth easily.  In the slideshow, if you hold your mouse over the images, the text will explain what I’m doing.

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Okay,  here’s the show!

 

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Spun

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I am experiencing a bit of a renaissance in hand-spinning. I never was that much of an intentional spinner, although I am attempting to be now…. perhaps I’ve grown up a little bit? With this alpaca that I brought out of the recesses of my loft closet, I worked it from raw fleece and  in this post  I show the carding & blending process.  After spinning it up, here I am measuring & weighing the yarn to discover what gauge it is.

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Here is what I do:  I run the yarn through a ‘winding station’, which measures yardage while winding off the skein on to a ball, then weigh the ball, and take notes.

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This is about an aran weight. Getting more savvy in substituting hand-spun and I am itching to ‘paint’ again with fiber on my blending board. Recycled sari silk (yes, made from silk cloth of saris), bamboo, rose fiber… the works, and Oh! This was my most recent creation over the weekend, taking some very coarse Lincoln-Corriedale I’ve had for 30 years (from my sheep Hazel, plus another part fleece I have long forgotten where it came) , and blended it up together into a bat of 50/50 dark & white, which the white was extremely slubby (thats having little bits of wool puffs) I used that blend to layer with some ultra nice dyed corriedale roving  I recently bought, in colors amber, mulberry, and ruby, and also a little Huacaya Alpaca , and made tasty little wool sausages….

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And, over the weekend, here is what I spun up…. slubby, exotic woolen spun blend

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Meanwhile, the general news…

Emma is in her last days of having to endure The Cone, for the surgery she had a week ago already (to remove a low-grade sarcoma on her front leg, she will be alright, no reason to be alarmed). My nieces have started school already, Miss Seventeen is a senior this year, and Miss Fourteen is now in 9th grade!  I’m very busy presently working up two patterns to be available in a double download, and prototyped in the hand-spun alpaca!  And we’re having some gorgeous cool foggy mornings at last! Life is good.

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Emma 2 days after surgery.

 

Tweed Chronicles: Carding & Blending

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I’ve been lured into somewhat of a trend. The trend is carding & blending boards!  Such a beautiful tool are the ones purchased by Ashford, etc, and I was so excited to buy one, but I resisted knowing that I was perfectly able to make my own. So with Jeff’s help, I did…

005I bought  24″ of  very expensive 12″ carding cloth, but still less expensive than a new 12×12″ board.  We cut some plywood to size, and after a quick glue & nailing down the carding cloth, added a footing to the head, and a handle, and ended up with double the size of the regular blending boards available. Not bad!  I then spent hours practicing on some old weedy raw fleece I had hidden away, found my old carders, and had a go with some alpaca.

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Mixing first by hand, then carding three times on the board,

it eventually looked like this…

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Then I drew the 3x carded alpaca back on to the board, caught the tips in between two dowels, then began to pull out, roll, pull out & drafted it rolling into rolags…

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Eventually I got through all 240 grams of it and made finally into some nifty rolags ready to spin, after a heck of a lot of work …
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Honestly folks, do you have any idea how much work goes into making a simple 100g ball of yarn from raw fleece?   I’m sure there are some of you out there who do.

Which brings me back to the carding & blending board. I did say that it is a bit of a trend, I mean, just look at the process of making art rolags…

The video shows really what the blending board is all about.  I was actually using it in my above photos as a carding board for raw fleece, now I think I’ll go clean up the weeds and fluff that has spread all about my loft, because I am actually waiting for some combed top roving to show up in the mail.

Its such a strange modern era.  I feel that I have shifted from wanting to create from the roughest and unrefined of raw materials ~~ my old self ~~ into craving the ease of beautiful prepared combed top roving to spin from, or with which to create those beautiful blend rolags ~~ my new self.  I think I have worked something through here, and am considering offering to the wild all that old coarse wool from my earlier spinning days, and face a future of pleasure spinning clean exotic selection of fibers, as there is just so much available now.  I have definitely reaffirmed my respect for those who spin from animal-to-yarn, I just can’t seem to be one to run with the flock anymore, but that is okay.

I do feel the urge to spin yarn again, after a long hiatus.  I am very excited to come back and show off some really artful blended rolags from my plus size blending board, as well as the yarn spun from them!