“Redouté Roses” namesake is inspired from the botanical rose illustrations of Pierre-Joseph Redouté, about whom was posted previousy, it is a cardigan & pullover duo, colorwork seamless yokes. I was going for the opulent over-sized “screamin’ the Eighties” type sweater I was so impressed upon decades ago in my earliest knitting years, about which I posted in Wild Roses. In fact, one really must read the whole series of rose themed posts over again to understand the design process of my new Redouté Roses sweater.
I absolutely love the lavish acres of mohair & wool in this sweater design, but even though I designed and knit the prototypes with voluminous and long draping bodies, I’m thinking I’d like to make the next one cropped, to wear showing off more hip and waist, like for skirts, or just for the drama of it. It was definitely worth the work to hold 2 yarns together, and to make it in both a cardigan and pullover. The cardigan has a steek, in front of course, and the “after-thought” pullover has a colorwork insert in back of the yoke, which is in place of a steek, which is how I manage to write a single pattern for both, a completely arduous commitment, and as far as I know, is my own process and how I am designing sweaters now — a cardigan and pullover in one pattern. Because frankly, if you took two people who want to have a sweater, one would surely want a pullover, and the other prefer a buttoned cardigan. My nieces being the perfect example and why I developed this way of designing.
As for the colorwork chart, if you look closely at the motifs, there is my usual small border, merely suggestive of a garland of tiny new budding roses, bordering the bottom hem, the sleeves, and the yoke. Then there is what I see as a botanical “cut-view” illustration of the just-opening rose flower alternating with an about-to-burst fat rose bud, and perhaps this is my favorite part of the chart. Last, and least of all needing explanation is the center large border of sumptuous fully open rose blossoms, the kind that last only a day before the petals seem to all fall off at once.
Its the fuzzy mohair I can’t get over, but one can’t really absorb the scope of their opulence until modelled by a niece ! And I do hope that in the near future one or both of my nieces will model these sweaters, but as its been a solid wave of record heat most of September so far, and since this particular sweater duo is excessively hot and fuzzy, I can’t be sure of anything. Why not wait? Honestly, the rush to get this design finished inconveniently during a hellish California heat wave, with still-life photos having to suffice, is simply so that all of the rose loving knitters of the world will have something to cast on as soon as Autumn hits!
“Redouté Roses” is now live and available on Ravelry,
so you can check it out there for all the finer details!
(( See all posts in this rose themed series. ))
Winemaking in California began more than 240 years ago, when in 1779, Franciscan missionaries & Spanish Father Junípero Serra planted California’s first sustained vineyard at Mission San Diego de Alcalá, then continued on to found eight other California missions, earning him the title of the “Father of California Wine”.
Jenjoyce Design 