Adélaïde at the castle.

If you’ve been following this series, you’ll know that Adélaïde was the name of the historic botanical artist Pierre-Joseph Redouté , and about whom I posted previously, and her story is that she grew up to be a painter in her own right, just as her father. When I finished the daughter variation of the pattern in the beginning of December, knowing I wanted my niece to model it, I put it in a drawer and it has been waiting to be properly photographed. Well amidst the Christmas flurry of plans, the moment arose with the timing of perfection; the moment when my niece was free, home on her winter break from university, and the moment where the steady forecast of rain cleared for the afternoon, so we got in our cars and shot from opposite ends of the Mayacamas range, toward the castle, the approximate halfway point between, and nailed a perfect photo shoot in a very short time. The sweater is quite small, knit and designed for a young girl of eleven, and barely able to be worn by my niece, who is now a seemingly tall woman of twenty . . . but as the art gods are always on our side it seems, with a little tugging adjustments on the sweater between shots, we managed to wonderfully stage Adélaïde, the Daughter of Redouté Roses for its unveiling. Very pleased am I to see the lovely botanical motifs captured with the stone of the castle, the best place ever to show off the knitted things, and I’m so grateful for the beautiful spontaneous moments shared with my niece!

 

♠    ♠    ♠

See all posts Redouté Roses

Adélaïde


Celebrating my finish of Daughter of Redouté Roses, and having a Turkish coffee!

A “mini me” you could say, to the beautiful mother design Redouté Roses . . . or perhaps better described as “a daughter”.  Born out of necessity, or, just because I wanted every mother and daughter duo to be able to wear one together, or, because I really do think the slim-fit version of this big oversized sweater would be amazing too. I think I shall hand this one over to Jeff’s grand-daughter who is eleven, but also, I could knit one in a thicker worsted-weight to fit me, and which I very much plan to do!

Technically speaking, the Daughter is a smaller variation of the original, having only 9 repeats of the rose chart in the yoke, instead of 12 like the original, and the colorwork motifs have been redrawn to make a shorter yoke also, as well as far fewer stitches in the body and sleeves. Also I drew a special rose border chart that is smaller, and rather darling too. Otherwise, the construction exactly as the original, and I’ve included my signature gauge substitution chart with the pattern, so that more sizes can be made from child to adult.

Now, brace yourself for a coincidence, but with a tiny bit of research since finishing the sweater yesterday, I have discovered that the namesake of the design — Pierre-Joseph Redouté — actually did have a daughter! Indeed, so this two-pattern download is a now a complete tribute to Pierre-Joseph Redouté . . . AND. . . his only child, a daughter, whom he very affectionately called Adélaïde.

You simply must see

The Botanical Illustrations of Pierre-Joseph Redouté

Daughter of Redouté Roses (cardigan & pullover) pattern can be found as a second download with Redouté Roses.

See all posts in this series

Sweater Success !

My beautiful younger niece met me at the castle today.

It was so spontaneous!

I am so lucky and grateful that she could do it, because she is leaving back to university in a few days . . .

. . . but even more so because it was such a cool morning

after an impossible record heat wave we’ve had.

She is at home in the castle walls,

having been here so many times to model the endless sweaters . . .

so gracefully, and so genuinely.

And she gave this new design much needed relevance and proportion

because of the super voluminous shaping.

Both looked so lovely when she wore them, but I gave her the grey one, as it is casual and played down, and she loved it the most! I think its everybody’s favorite actually.

Redouté Roses pattern was posted earlier today over here And so now I can put all the yarn away, clean up the loft for a clean slate, and go for a nice walk in the woods, because with the help of my niece’s spontaneous rush to Calistoga for an impromptu photo shoot at the castle, I am now done & dusted with the project. I do think I want to make another one day, cropped dramatically, that would be so fun! (See all posts in the series)

Redouté Roses: the pattern

“Redouté Roses” namesake is inspired from the botanical rose illustrations of Pierre-Joseph Redouté, about whom was posted previousy, it is a cardigan & pullover duo, colorwork seamless yokes. I was going for the opulent over-sized “screamin’ the Eighties” type sweater I was so impressed upon decades ago in my earliest knitting years, about which I posted in Wild Roses. In fact, one really must read the whole series of rose themed posts over again to understand the design process of my new Redouté Roses sweater.

I absolutely love the lavish acres of mohair & wool in this sweater design, but even though I designed and knit the prototypes with voluminous and long draping bodies, I’m thinking I’d like to make the next one cropped, to wear showing off more hip and waist, like for skirts, or just for the drama of it. It was definitely worth the work to hold 2 yarns together, and to make it in both a cardigan and pullover. The cardigan has a steek, in front of course, and the “after-thought” pullover has a colorwork insert in back of the yoke, which is in place of a steek, which is how I manage to write a single pattern for both, a completely arduous commitment, and as far as I know, is my own process and how I am designing sweaters now — a cardigan and pullover in one pattern. Because frankly, if you took two people who want to have a sweater, one would surely want a pullover, and the other prefer a buttoned cardigan. My nieces being the perfect example and why I developed this way of designing.

As for the colorwork chart, if you look closely at the motifs, there is my usual small border, merely suggestive of a garland of tiny new budding roses, bordering the bottom hem, the sleeves, and the yoke. Then there is what I see as a botanical “cut-view” illustration of the just-opening rose flower alternating with an about-to-burst fat rose bud, and perhaps this is my favorite part of the chart. Last, and least of all needing explanation is the center large border of sumptuous fully open rose blossoms, the kind that last only a day before the petals seem to all fall off at once.

Its the fuzzy mohair I can’t get over, but one can’t really absorb the scope of their opulence until modelled by a niece ! And I do hope that in the near future one or both of my nieces will model these sweaters, but as its been a solid wave of record heat most of September so far, and since this particular sweater duo is excessively hot and fuzzy, I can’t be sure of anything. Why not wait? Honestly, the rush to get this design finished inconveniently during a hellish California heat wave, with still-life photos having to suffice, is simply so that all of the rose loving knitters of the world will have something to cast on as soon as Autumn hits!

“Redouté Roses” is now live and available on Ravelry,

so you can check it out there for all the finer details!

(( See all posts in this rose themed series. ))

buttons, etc.

Sewing buttons and labels on finally . . . the cardigan is completely dry . . . oh joy of joys ! Do you think these are the right ones? I had to cut them off one of my shirts as I desperately needed 1″ shell buttons, they are lovely and seem just right. Also I went out to the garden devastated by last week’s 106F heat wave, but there were some roses, so I cut them and put them in jars and into the fridge. Frayed and dwarfed by our mountain climate, not sure if they will do, but I really don’t want to make a trip into town for a bouquet of roses to photograph. Shall I make do?