If you’ve been following this series, you’ll know that Adélaïde was the name of the historic botanical artist Pierre-Joseph Redouté , and about whom I posted previously, and her story is that she grew up to be a painter in her own right, just as her father. When I finished the daughter variation of the pattern in the beginning of December, knowing I wanted my niece to model it, I put it in a drawer and it has been waiting to be properly photographed. Well amidst the Christmas flurry of plans, the moment arose with the timing of perfection; the moment when my niece was free, home on her winter break from university, and the moment where the steady forecast of rain cleared for the afternoon, so we got in our cars and shot from opposite ends of the Mayacamas range, toward the castle, the approximate halfway point between, and nailed a perfect photo shoot in a very short time. The sweater is quite small, knit and designed for a young girl of eleven, and barely able to be worn by my niece, who is now a seemingly tall woman of twenty . . . but as the art gods are always on our side it seems, with a little tugging adjustments on the sweater between shots, we managed to wonderfully stage Adélaïde, the Daughter of Redouté Roses for its unveiling. Very pleased am I to see the lovely botanical motifs captured with the stone of the castle, the best place ever to show off the knitted things, and I’m so grateful for the beautiful spontaneous moments shared with my niece!
♠ ♠ ♠
This year’s Spring Tee was not a new design, but a fun redesign for ‘four seasons of necklines’ option for my 
Then we cross Lincoln and shoot against the terra cotta wall outside of Brannon’s Restaurant for our usual series of slightly goofy shots . . . .
JjD 
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