Invincible Spring

It is the emissary of spring when the wild fruit trees first bloom.

I witnessed the first tiny leaves of the Black Oak, nearly a month early, emerging next to a leaf from last Autumn that was too reluctant to fall.

On the first day of February, I heard what I thought was a deafening sound of cicadas, but learned it is the Pacific Chorus Frogs, and they haven’t stopped since, as if something ominous began that day and continues.

Out walking in the wild, on a trail near my house, I am reminded that in the absence of distractions, I begin to feel peaceful renewal . . . because in the dispassion of winter, I discovered within me an Invincible Spring.

Juno feels it too.

Four Shafts

I have been craving weaving yards and yards of narrow width, fine cloth, on just a simple little table loom like this, my new Brooklyn four-shaft loom. Using the finest weight cotton and linen threads that I can find, higher epi (ends per inch) should not be so overwhelming with only 16 inches weaving width, shoulder width, therefore it is very ergonomic and a great way to weave longer pieces. I like to stand while I weave, so I have set up the Brooklyn on my loft table which is also my desk, sharing space with everything else, and I can take breaks often to weave a few inches here and there. Just having it there with a long warp waiting, is so inviting. I started weaving my first project, with a hybrid direct warp method, using only the number of heddles for 20epi that the loom comes with, and next time I will add heddles and weave 40 epi. Even though the inexpensive Brooklyn comes unfinished, I waxed all of the pieces before assembling, and I don’t even mind that the sides are plywood, I wanted a little loom just like this one on which to learn to weave ultra fine — at my own pace.

Another Nine Days (Shawl No.2)

It is just another one of those striking coincidences, that the days it took me to warp, weave, finish, and photograph Shawl No.2 is precisely the same number of days as Shawl No.1. Despite my best efforts to relax and enjoy the process, I began to focus on speeding up my technique, spending less time fussing at the selvedges, and worked at a frantic pace , and now my whole body is sore, and my arm feels like it is going to fall out of its socket. Abelene models the shawl in a most regal way and was compassionate and quiet today, although she did tell me what great work the wind did for the photos!

♣   Weaving Notes  ♣

I wanted to try big blocks of color this time, decided to weave the full length of the warp, not trying to enforce full repeats, so there is a little strip of gold at the end, giving beautiful asymmetry, and a unique folksy touch.

  • Yarn: Knit Picks Alpaca Cloud lace weight, 440 y = 50g, in Lydia (rust red), Zadie (gold), Willoughby (warm light grey), and Arabella (dark green).
  • Loom: Ashford 32″ rigid heddle loom
  • Warping method:  Easy direct warp method for rigid heddle, 1 end in hole and 1 end in slot.
  • Number of warp ends: 472
  • Reed: 15 dent rigid heddle reed.
  • Width in reed: 30.5″
  • Selvedges: I added 4 extra ends to each of the selvedges, as they tend to get pulled in, and I used a temple.
  • Sett after finishing: Warp 16 epi, and weft 16 ppi.
  • Color Pattern Warp: 118 ends each of Lydia, Zadie, Willoughby, and Arabella, approx 7.5″ blocks.
  • Color Pattern Weft: Same sequence as warp, weaving each color in blocks, but ended in a little strip bit of gold for a folksy touch.
  • Finished: 3″ hand-twisted fringe, then washed and air-dried hanging, and lightly steam pressed. Measures 96″ long (not including fringe) and 29″ wide, and weighs 275g — approx 68g of each color.
  • Yardage:  Total yardage used for finished piece = 2422y, figured from weight of finished piece and not including loom waste.