Invincible Spring

It is the emissary of spring when the wild fruit trees first bloom.

I witnessed the first tiny leaves of the Black Oak, nearly a month early, emerging next to a leaf from last Autumn that was too reluctant to fall.

On the first day of February, I heard what I thought was a deafening sound of cicadas, but learned it is the Pacific Chorus Frogs, and they haven’t stopped since, as if something ominous began that day and continues.

Out walking in the wild, on a trail near my house, I am reminded that in the absence of distractions, I begin to feel peaceful renewal . . . because in the dispassion of winter, I discovered within me an Invincible Spring.

Juno feels it too.

Out in Autumn (late).

jenjoycedesign© Autumn walk 5

Walking along a foggy path in the late afternoon,  in late Autumn, I observe the season expiring after the heavy rain last week. Everything seems to be falling to the ground, exhausted.  Soon there will be new grass popping up.

jenjoycedesign© Autumn walk 2

The last of the gold leaves wave in the breeze, as if to say “I’m tired, and it is time to go”, and the vines surely have given all their energy growing grapes for 2019 Harvest, and will wait bare until pruning time in late winter,  leaving the trellises standing like soldiers in a winter field.

jenjoycedesign© Autumn walk 4

The stinging needles on the star thistle rot and become harmless, muted into the dull brown grass.

jenjoycedesign© Autumn walk 7

The fog surely lays burden to the spider webs, and even though nature is bedding down, the creatures are stirring.

jenjoycedesign© Autumn walk 8

The oaks are shedding leaves and covering the ground, another layer of compost for the soil,  two years after the wildfire is nothing less than a treasure.

jenjoycedesign© Autumn walk 6

Yet some of what was dormant is now waking up, becoming lush, verdant, alive, as is the story of the moss.

jenjoycedesign© Autumn walk 3.JPG

So near to the solstice, I believe this little foggy outing has put me in the mood for more walking and writing, for it is at these times when I most intensely feel my existence.  Rituals of coffee and chores, punctuated with knitting, walks, short naps, and contemplative writing, are my comfort as I get older.  Peaceful and nearly silent my days tumble over one another, seemingly inconsequential, but if only to witness my landscape as it goes through the seasons.  And I am happy it is so.

Tweed Chronicles: Manzanita Blossom

photo from archives:  A Storm On The Way

The blossoms of the Arctostaphylos (manzanita) on the ridge trail of the mountain ~~ one with pink flowers, and one with white ~~ are the first blossoms arriving in winter!

pink blooming manzanita
pink blooming manzanita

Nestled side by side on the ridge, the two varieties are perfectly complimenting of each other, and as fragrant as they are breathtaking in beauty.

white blooming manzanita
white blooming manzanita

((You can read more about the manzanita in this post ))

Now looking at my latest tweed yarn colorway:  “manzanita blossom” …  it will be a pink, with a just a dusting of white.

jenjoycedesign© rolags

A blush of pink against rocky volcanic landscape is one of the most beautiful things in the mountain landscape, and I do think I found just the right shade ( although I wished I put a tiny bit more white in the last blending layer) …

jenjoycedesign© spun manzanita

A shy pink.

A pink which is the color of mid winter … pale and fresh.

jenjoycedesign© spun1

There in the pink is the saturated neutral too.

jenjoycedesign© spun

Now, let me show you how I do it…

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Techy stuff for Manzanita (pink)…

  •  Color Saturated Neutral recipe for approx 5g each of primary triad of blue, red, and yellow:  Blended thoroughly on blending board with 15g of white as many times as necessary to fully homogenize…

jenjoycedesign© primary neautral + white

  • With neutral-white mix, layer alternately with 5g each of Fuscia, Rose, and Flamingo Pinks, and 5-10g more white  (see Blending For Tweed Simplified)

jenjoycedesign© add pinks and white

  •  Lift batt, and layer again twice more.  (Note to improve: try last layering with another 5g white. to get more white ‘streaking’)

  • Draw off rolags.
  • Colorway blend:  “Manzanita blossom” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

 

Tweed Chronicles: Clover

jenjoycedesign© wild-red-clover
photo in archives: A Walk Among Wildflowers

There is absolutely nothing that I can think of as red in the wild landscape as the crimson clover which grows abundant in the meadows nearby on the mountain, the meadows where Emma and I have walked countless times, and forefront of my mind when I think of a name for the colorway of red. Wild, herbaceous gobs of crimson, are the trifolium incarnatum  flowers.

jenjoycedesign© red clover rolags

Crimson is the color I am trying to grasp.

jenjoycedesign© red clover spinning

It needs a little improvement for next time (perhaps more red)

jenjoycedesign© red clover spun 2

But this is it ~~~  my crimson clover .

jenjoycedesign© red clover spun

I am looking forward to six months from now when the wildflowers will hopefully have returned from the burned topsoil, as the grass has already … shy little green sprouts everywhere !  Tomorrow morning is the winter solstice, and I am glad to see it finally come, and to see pass my huge disappointment of  once favored ( oh how fickle of a season) Autumn.    Winter come, o’ please be gentle, cast your sleepy spell on the landscape, and clean up the blackened death from the wildfire, soften it with rain and bring back the wildflowers and the moss, so that the landscape may wake anew with spring growth, restored and resilient and colorful.    Autumn,  to you I bid good bye.

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Techy stuff for Red Clover…

  • Lift neutral batt, layer alternately with 5g each of ruby red and rose pink.
  • Lift batt, layer alternately with 5g (or more) of red.
  • Draw off rolags.
  • Colorway blend:  “Red Clover” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

 

Tweed Chronicles: The color of fog …

March's entrance
photo from archives: Shades Of Fog

Fog is a huge part of life on the mountain, for me, and I just love the fog show …

jenjoycedesign© fog Jan 2015
fog in January, 2015

I love to watch it pour over the ridge from the Pacific, fluid and volatile, and into the valley,  or splashing up from it.  I also love it just thickly hovering about …

jenjoycedesign©blue oaks in fog
photo from archives:  Foggy

So naturally, my next tweed endeavor must capture the color of fog !

jenjoycedesign© fog white

It is my basic white,  well,  a near white, where like fog, you see faint color of images behind …

 

Just a tiny bit of the color-saturated neutral to start, then blended several times with increasing amount of white wool, so you’ll see flecks of blue, red and yellow upon close inspection.

jenjoycedesign© 018

I really am enjoying developing a personal hand-spun color palette, and see no end to my combing wool in different combinations, racing obsessively from blending board to the spinning wheel, grabbing my camera to photograph, wash, dry, wind on swift, photogragh again …

jenjoycedesign© fog 5

… then on to the next !

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Techy stuff for Fog (white)…

  •  Color Saturated Neutral recipe for approx 10-15% base, primary triad of blue, red, and yellow:  Blended thoroughly on blending board.   Note: for a more dramatic tweed, with gobs of color splashing through, blend only once , then continue.
  • Starting with white, layer alternately with neutral (see Blending For Tweed Simplified)
  •  Lift batt, divide as needed and layer again and again with more white, repeatedly fully hemogenized, more or fewer times until white/neutral values balance as desired.
  • Draw off rolags.
  • Colorway blend:  “Fog” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles