Nine Years

It was nine years ago in this last week of October that we landed in a temporary holding place, shortly after losing our home to the wildfire. And it was shortly thereafter that I was given a beautiful vintage Ashford Traditional spinning wheel by “L” who heard of my situation from a spinning group on Ravelry. Out of nowhere, L notified me that she had a wheel for me, hearing that I had just lost my previous wheel– and that she would bring it to me from San Francisco Bay Area where she was from. To say the least, I was stunned by her kindness, and accepted with massive gratitude. (See that Autumn in this post from 2017)

Recently, I lent this precious wheel to help another spinner learn the craft on a traditional setup, it was gone for many months, and I missed it dearly. Now it is finally back home in the studio, and I have decided to give it a deep, restorative treatment to celebrate our reunion, and even put a new, clear poly cord drive band on it—just like my old Peacock wheel used to have.

Yesterday and this morning, in order to celebrate its homecoming, I’ve been down in the Tiny House, blending a special batch of “pastel autumn colors” to spin on my refurbished wheel. The reason I say pastel, is because I only have two hand-dyed braids (crimsons, greens, purples, golds, browns, orangy pinks) I want to put into the batch, and many beautiful Wool Of The Andes Bare (undyed) bundles. So I’ve improvised a method of layering all the colors in batts made on the drum carder, as I prepare to spin the yarn for a celebration cardigan! I can’t decide if I should spin the whole batch like sample 1 or sample 2 — what do you think?

♣ Blending Notes ♣

To achieve an even, homogeneous dispersion across the entire 500g lot, I am using a layered batt method rather than simply splitting the braids. This keeps the colors from flashing or striping harshly, allowing them to mist softly into the neutral base.

  • The Fiber Base: 300g Knit Picks Wool of the Andes roving (Bare)
  • The Color: Two distinct 100g dyed top roving braids in colors “Nube Zinnias” and another I don’t have the label for (200g total)
  • Total Lot Weight: 500g
  • Layer the Carder, in one batt per 100g lot;
    • Bare roving
    • hand-dyed top braid #1
    • Bare roving
    • hand-dyed top braid #2
    • Bare roving
  • Spread out thinly each batt in this order, and compress into one fluffy batt.
  • Pull fat strips evenly off the side of big compressed batt, and attenuate into continuous longer strips, lightly wound into lofty little nests.
  • Spun a short length, plied on itself, and that is sample 1.
  • Then to get a less contrast effect, I then took one of the attenuated balls and broke into several smaller strips, held them together , and ran through the drum carder again. Again I spun, plied, and made sample 2.

Tweed Chronicles: Golden State (of being)

oct-2-2016
photo from archives: Fields Of Gold

A blissful golden sun-glow in the wild & wide open fields of late summer is signature to California, known as the Golden State.

I love when a storm is brewing and there is the quivering sort of gold from the vines…

photo from archives:  Seasonal

Golden shades throughout the Autumnal landscape …

jenjoycedesign© Autum Landscapes
photo from archives: November Chill

The sort of dried papery gold, from late summer wild peas…

photo from archives: Mountain Knitting

The magical and beautiful golden rays of sunrise in my kitchen…

photo from archives: Golden

But mostly…

photo from archives:  Summer Landscape In Morning

Golden fur of Emma’s, my favorite shade…

golden field
photo from archives: Walking In Autumn

So naturally, I would create my own woolly golden too.

jenjoycedesign© golden rolags

A kind of gold that brings together a color-saturated neutral with natural white,  amber & gold.

jenjoycedesign© golden2

This colorway sings of the mountain in June thru October ~~  it is my “Golden”.

jenjoycedesign© golden3

And here is how I made it …

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Techy stuff for Golden…

 

  • Layer color-saturated neutral batt again.
  • draw off rolags.

jenjoycedesign© rolags

  • Colorway blend:  ” Golden ” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

 

Tweed Chronicles: Geological 3

jenjoycedesignc2a9eroded-waterway
photos in archives: Long Shadows Of January

Last and lightest color in my geological series is the ash layer from volcanic eruptions, and which show up a couple of feet down, seen mostly where there is water erosion in the ditches along side of some of the vineyard roads next door …
jenjoycedesignc2a9eroded-layers-of-ash
It is a stripey design of very light grey  to medium grey, depending whether it is wet or dry,  so “Ash” perfectly names the light grey color in my Geological colorways.

jenjoycedesign© ash rolags

The bulk of the color is silver — natural grey and natural white fleece —  so the range from a warm silver to a cool medium grey is up to the mood, and a thing which invites a lot of personal touch.

jenjoycedesign© rolags 2

In my three geological colors of  dark Shale,  medium Sandstone, and now light Ash, either natural grey or natural brown can be blended with natural white for the rock tones, because the distinguishing difference is dark-to-light variation more than it is color hue.

jenjoycedesign© 004

The other distinguishing feature of geological colors is that I’m using undyed natural colors for the all-over color, with a splash of the color-saturated neutral showing …

jenjoycedesign© 006

…   which by the way,   the  “color saturated neutral” (primary and/or secondary triad mix)  is the unifying element of ALL of my tweedy colorways !

Next time I will use less ratio of the color-saturated neutral, because when one is blending a light wool , like paint, the proportion of pigment actually is very little.  Also next time I will use more white in the mix to make the all-over color a lighter silver (noted below).   But for the sake of documenting my experiment, here’s what I did…

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Techy stuff for Ash…

  • Began with Primary & Secondary Neutral recipe using approx 2.5g each of green, purple, and orange  AND  blue, red, and yellow, (or alternately 5g each of primary or secondary triad colors) blended thoroughly on blending board (see Blending For Tweed Simplified) , lift batt, set aside.
  • Layer 15g natural white with 15g natural grey,  lift batt. (Note: For lighter grey, blend more white, less grey)
  • Layer color-saturated neutral batt with white/grey batt alternately.
  • Lift batt, and for lighter grey layer again with 15g more white.
  • draw off rolags.
  • Colorway blend:  ” Ash” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

 

Tweed Chronicles: Geological 2

jenjoycedesign© paws at the peak
photo from archives: Paws

In previous geological post I created a woolly colorway of Sandstone.   Second in my geological series of the mountain, and underfoot quite a lot, is shale.   A refresher of a quote from a reliable local vintners’ source, they who take the geology of this appellation very seriously…

Mount Veeder is primarily an island of ancient seabed, pushed up in the mountain’s formation five million years ago.  This is the only Napa Valley appellation that can claim this unique geologic phenomenon. While the rest of Napa Valley was covered in volcanic ash 1 million years ago during the eruption of Mount Saint Helena to the north, Mount Veeder received just a sprinkling. Within the marine soils lies a complex tapestry of fractured shale, sandstone, volcanic (ash) dust, and other various constituents.  — From Mt Veeder Appellation

 

shale

This rock I have seen in some places mounded up into nearly hill-sized formations which I suspect to be left behind by an ancient volcanic upheaval.  Hard and a bit brittle, this broken shale is generally dark charcoal grey,  although sometimes a medium grey.

jenjoycedesign© 031

To achieve this color I use colors from the color-saturated neutral, blended with undyed wool shades of  natural black and natural grey.

jenjoycedesign© 013

And as natural black and brown fleeces are amazingly varied in breed and color, so can be this shale colorway, ranging from medium grey to almost black, just as the rock is.

jenjoycedesign© 026

Stay tuned for geologcial 3,  which will be a woolly colorway of yet another geological composite.   Very pleased with the charcoal/black in my  tweedy palette, I give you the recipe I have written for “Shale” …

♣     â™£     â™£

Techy stuff for Shale…

  • Began with Primary & Secondary Neutral recipe using approx 2.5g each of green, purple, and orange  AND  blue, red, and yellow, (or alternately 5g each of primary or secondary triad colors) blended thoroughly on blending board (see Blending For Tweed Simplified) ,lift batt, set aside.
  • Layer 15g natural black with 15g natural grey,  lift batt.

Note: This blend is 50/50 black and grey. For darker color blend more black and less grey, and for lighter blend more grey, and less black.

  • Layer color-saturated neutral batt with black/grey batt alternately.

  • Lift batt, layer again.   Layer once more for a more homogenized result, or go on to next step.
  • draw off rolags.
  • Colorway blend:  ” Shale” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: Geological

jenjoycedesign© paws at the peak
photo from archives: Paws

Inspired by the rock forms of the mountain, I have created three more colors in my palette, introduced in three parts.  But first, let me borrow a quote from a reliable local vintners’ source, they who take the geology of this appellation very seriously…

Mount Veeder is primarily an island of ancient seabed, pushed up in the mountain’s formation five million years ago. This is the only Napa Valley appellation that can claim this unique geologic phenomenon. While the rest of Napa Valley was covered in volcanic ash 1 million years ago during the eruption of Mount Saint Helena to the north, Mount Veeder received just a sprinkling. Within the marine soils lies a complex tapestry of fractured shale, sandstone, volcanic (ash) dust, and other various constituents.  — From Mt Veeder Appellation

In my observation the most prevalent of these three mentioned geological rock forms must be sandstone, ranging from a dull tan, to a rusty brown and sometimes sparkles with colors, sandstone is the color of everywhere …SandstoneEspecially at the summit of the mountain these rocks are of rather large proportion, and an outstanding geological feature.   Sandstone, with color-saturated neutral base, so like the true rock form created from a composite of many grains of colorful sand, blended with natural white and natural brown wool …

005

The nice thing is, using natural brown fleece, there is quite a variation of color, and as I blended with natural white, even more of variation of natural values & hues can be accomplished.   Just as the rock itself is so varied in color, the Sandstone colorway is too…

jenjoycedesign© 020

jenjoycedesign© sandstone spun

Next , in Geological 2, I will produce a woolly colorway of another popular rockform, but as yet, I am waiting for my wool to come in the mail!     Until then, here’s how I made “Sandstone”  …

♣     ♣     ♣

Techy stuff for Sandstone…

  • Began with Primary & Secondary Neutral recipe using approx 2.5g each of green, purple, and orange, blue, red, and yellow, (or alternately 5g each of primary or secondary triad colors) blended thoroughly on blending board (see Blending For Tweed Simplified)  Note: for a more dramatic tweed, with gobs of color splashing through, blend only once , then continue.

001

  • Lift color-saturated neutral batt, set aside, and blend 7.5g each of natural brown, and natural white.

002

  • Combine layer of color neutral with brown…

  • Lift batt, layer alternately with 7.5g each more of natural brown, and natural white.  Note: In second blending, for a browner tone, continue with only brown, omitting the white, and for a creamier beige tone,  omit the brown.
  • Draw off rolags.
  • Colorway blend:  ” Sandstone” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles