Tweed Chronicles: Odds & Ends Blends

I have been in a binge of preparing fiber,  attempting to clear out and make yarn from all the little bits of  fiber odds and ends I have in my closet. With this batch I am refining my “one + one” blending method, where I blend a batt on my blending board, then blended that batt to another batt, and so on (original one + one tutorial)   Also, using hand mix method (original Handmix tutorial) to divide up the batts with new fiber helped me get everything fairly equally portioned, and I just kept adding while the batts were building and then the final brush strokes of accent.  Here’s how it all stacked up and blended together, pretty much exactly . . .

♣    ♣    ♣

Techy Stuff for Odds & Ends #2, entirely on blending board.

  1. Beginning with 21g of a BFL hand-dyed braid, I mixed together on the blending board, and the blue, yellow, green, orange, red all turned into a mix of dull dark brown = batt #1 — see color saturated neutral tutorial here.
  2. To the batt#1 color mix I blended with about 30g of some (what I think was) Rambouillet white wool that was in the mystery bag of fiber = 1+1 batt #2 = 51g.
  3. To batt #2 I blended with 97g white alpaca = [1 + 1] + 1 batt #3 = 148g.
  4. To batt #3 I blended with 80g part braid of blue-faced-Leicester/Shetland/Manx blend which was tan and white wools = [[1 + 1] + 1] + 1 batt #4 = 228g — shown in the big fluffy beige batt below. 
  5.  I brushed on to blending board 72g part braid of Malabrigo Nube (Merino) in colorway “Solis” (blues & greens) for a batt to mix in. 
  6. To batt #4 I mixed in the teal batt = [[[1 + 1] + 1] + 1] + 1 batt # 5 = 300g. 
  7. Last brush streaks of ‘turquois veins’ = topaz bamboo. 
  8. Pulled off rolags!

Notes:

  • Making batts of all the fibers first, which is kind of like combing them and making them easier to blend on the blending board with the next fiber, sequencing the process with another fiber, then another, instead of all fibers at once. This homogenizes the first fibers more and more throughout.
  • After batt #3 I decided to not blend in the 30g of white Cheviot or extra (much coarser) 72f BFL blue-green hand-dyed braid, and left it at the 300+ grams batt #5.  Batt #5 got two blendings on my blending board, in attempt to finer homogenize the colors, but it became and overwhelming project at 300g total, and I still had the last brushings of color to do, before drawing off rolags. I am considering getting a wool picker for future big projects! 
  • Final blend I added about 10g of bamboo in color “topaz” for the gold streaking affect, thinking I might end up with a look of veined turquoise. However, I can never tell until the final handspun is finished and plied before I can be certain.  

Watch this space for the spin-up of these lovely rolags. 

♣    ♣    ♣

Oh yeah…

the Odds & Ends #1 batch that is all spun up and I almost forgot about!

I actually did forget to post this, from weeks ago the finishing of the project, and it was the first of my Odds & Ends series of stash-busting projects. It is Early Morning Blend from inauguration day. has finally been spun & plied.   This also is the first on-purpose bulky weight yarn I have made that I can remember, in all the years that I’ve been spinning; that is, not accidental or “it is what it wants to be” kind of handspun. I have pretty much a default thickness of yarn I spin now, so, needing some bulky weight yarn to knit up a little something, it occurred to me to ply 3 together of the singles bobbins that were storing in my wool closet. I absolutely am raving about on-purpose 3-ply, as it makes a very balanced round yarn. Which incidentally, is ideal for textured knitting. Hmm, maybe next I shall cast on for the smallest size of my latest Fisher Vest, hoping I don’t run out of yarn!

Nep Clouds 2

jenjoycedesign© nep-rolags

Nep clouds from last post have been layered on the blending board with more wool, then rolled off into lovely speckled neppy rolags! You can barely see the imbedded blue and green neps in the white cormo wool, but I know when I begin to spin they are going to pop! 

jenjoycedesign© nep-rolags3

Next is the spinning, but first, what I did . . .

♣    ♣    ♣

Techy Stuff . . .

I layered twice, actually with a different wool (undyed white Cormo) layered in-between nep clouds (see last post for how I made nep clouds ), wanting to be sure the neps were well homogenized. It would have been a good idea to use a light grey , to show the blending steps separate from the nep clouds. Next time! 

  • Layered first wool, then blue nep cloud, then wool, then green nep cloud, then wool — taking opportunity to evenly disperse with my hands, clumps of neps, and then l lifted batt off of board.
  • Layered handfuls of the batt again, to get all nice and well blended.
  • Drew rolags off with large knitting needles in a slightly tensioned  ” combing ” motion. 
  • Rolags ready to spin!  (click the 1st image below to go to slideshow) 
  • See Blending For Tweed Simplified for my basic blending board slideshow how-to.

See all posts Nep Clouds.

See all posts Tweed Chronicles.

Nep Clouds

jenjoycedesign© nep cloud premix

Hey look, nep clouds !  These are premixes from my new hand carders, and will be blended in with a main fiber on blending board next.  They can also be spun ” in cloud ” , made into rolags from the hand carders, or can get layered on the blending board to build up a more complex visual texture. I will try a few methods to see what gives the most pleasing results (for me).  For ages I have been thinking about how to go about spinning tweed yarn with colorful neps,  and how to achieve the affect I want using the yarns I have in my stash.  I am rather fixated on designing a yarn which has the characteristic flecks of color that pop in the final spinning, as in the traditional rustic spun from Ireland and British Isles. Anyway, this is a part 1 of a several neppy posts, and as is customary in my Tweed Chronicles.  Here’s the techy stuff .  .  . 

Continue reading

Tweed Chronicles: Early Morning Blend

Yesterday I was blending on my blending board in the early morning light, listening to the inauguration on NPR. I had just finished the gloves design and figured I’d dedicate the meditative hours of dawn to prepare for a new spinning project. I am using up some of the mystery roving I received as gifts from spinners a few years ago, and not sure what, just odds & ends, but I figure blending together they would make a lovely 300grams of something beautifully natural looking with a teensy bit of color. I did five 60g batches layered on the blending board, of carefully divided and weighed segments, and got quite a massive pile of rolags! I am very pleased with the results, here now, the next day spinning it.

A select few rolags from the 300g pile.

I have used no particular recipe or technique as I have been documenting in Tweed Chronicles, rather, I just picked out three bags of mystery roving and layered on my blending board. I am attempting to only spin for a project in mind these days, so I scaled the total weight for possibly a vest I would like to have, so in the near future I will post again with finished yarn , and shortly thereafter begin knitting!

Tweed Chronicles: Quick Mix

I wanted to try spinning my first ever sock yarn, so I looked in my basket of gifted fiber, and chose some lovely hand-dyed superwash Blue-faced Leicester fiber in beautiful Autumn tones. I wanted to spin this fiber without the barber-pole affect that one often gets when spinning straight from the dyed roving, but a softer and slightly more homogenized result. So you know what that means, I have an excuse to pull out my blending board and do some carding!

It is much easier to do a quick mix from a dyed braid, than to haul out all my separately dyed colors, and although it is a little less controlled, offers a bit of an element of surprise, and is really just fun, as the colors are all there in the braid. But one must choose the braid wisely, for each time I card the fiber from the braid out on to the teeth of the blending board, the colors fuse more, sometimes dramatically. Sometimes very quickly can depart from vibrant splashes of color into a muddied neutral appearance of one shade, especially if there are any complimentary colors in the braid. Also the colors will blend even more after plying the singles. So this time I am only going to fill up the teeth on the board just once, and draw off the rolags to spin. And here is what I did …

(click 1st image to go to slideshow)

♣     ♣     ♣

Techy stuff …

  • My extra long blending board holds a lot of fiber, but to play it safe, I made 4 batts approx. the same. I have 100 grams of fiber, and I want to get four 25 gram batts, drawing off 3 fluffy rolags each to spin.
  • First I divided the braid length-wize into half, then each half into half, so I can get 4 lengths in the same dyed sequence.
  • When layering on the board, I started all four batts with the same end, and layer up in the same way, basically repeating every motion four times.
  • Then I drew off the rolags.
  • See Blending For Tweed Simplified for my basic blending board slideshow how-to.

Watch this space for my plied finished yarn and sock project, which I am guessing will end up a rather muted colorway, close to a shade of terra cotta. See all posts in Tweed Chronicles

What I would do differently next time:

Given that one 100g braid could be done in two batts on my extra long blending board (24″ x 12″) which can hold comfortably 50 grams of fiber I would have not bothered to split the the braid into four lengths, but only two, and fill the teeth closer to capacity twice, drawing off more rolags each time. This would have had the same affect but much faster, and when I think of the whole theme of this post ” the Quick Mix” it makes more sense. However, with a conventional smaller blending board 12″ x 12″ to 18″ , four times would probably be better, as I’ve demonstrated above.

Edit in: See spun and plied yarn in Quick Mix Spun

Spinning For A Project – Part Four: Fiber Preparation

jenjoycedesign© Rose Blend 7I am more than half way through my fiber preparation, and I am really happy to say that I have made a breakthrough with the blending board!   In the last two years I have been doing a lot of fiber blending experiments but it seems recently I’ve noticed my results are overly compact rolags, so much that spinning has been difficult. I couldn’t even see why I ever decided trying to spin from the rolag method or why I thought it was better.

Backstory: If you see my post from August 2017  “Woolen or Worsted?”  ,  I muse a little bit about the preparation of the wool & that I noticed how it  affects the end result of the yarn.  Whether taken off the blending board in one big batt, and pulling apart into smaller sections, or using a ” diz ” to gather a continuous roving from your carded fiber, or like I am doing here, making rolags around two dowels from off the blending board, in a perfect world, a spinner should try all ways I would think.  I am aiming for a bouncy airy “woolen” spun yarn, and why I’m practicing spinning from rolags. 

After the first 50g color test of my 500 gram project of English Rose Tweed blend, I realized I may have a technique error.   I remember back in my first blending projects , especially this one, blended with super fine & fluffy ingredients, and how light & airy the rolags were, and so very easy to spin. So I tried a change with this batch; I lifted more and pulled over the teeth less.  That’s it! Just more lifting when rolling the fiber around the dowels ( I use slick aluminum needles) to make the rolags, and less pulling, and that took a lot of friction out of the process.  I guess my technique had morphed without my thinking about it, and over time I was working the rolags with a massive amount more friction. Well I had a big ” duh ” moment, and now I am conscious of this I am getting fluffy frothy whipped woolly confections again, to spin later.
Later that is, when I’m through blending all of the rest of the carefully measured ingredients to English Rose Tweed. Committing to the long-haul of a big project is something I haven’t done in a long long time. This is work I tell you! But just look at these beauties….  
jenjoycedesign© Rose Blend 1

See all posts in this series Spinning For A Project.

(( click 1st image to go to slideshow… ))

Tweed Chronicles: Opalescent

jenjoycedesign© opalescent mix 1

From these pastel primary & secondary colors,

each one like mouthwatering fruity candy floss . . .

jenjoycedesign© pastel primary and secondary

into these fluffy rolls . . .

jenjoycedesign© opalescent mix 10

Magically transforming,  while colors fuse

and melt into these opalescent silvery grey rolags  to spin !

jenjoycedesign© opalescent mix 13

I have been thinking about this mix for a year now, and finally was able to do it !   It is a pastel variation of my original recipe mix  Color Saturated Neutral”  , an experiment I did over a year ago.   I am amazed at how the colors just melt into each other , and these pale pastels washing out into a silvery opalescence ready for spinning.   This is how I did it . . .

♣     ♣     ♣

Techy stuff for Opalescent…

  •  Equal parts of pastel primary colors: pink, pale yellow, light blue — plus — pastel secondary colors: pale green, lavendar, pale orange.  These were 6g each, for a total of 36g.
  • Layered very thinly one color at a time, alternately.  using this technique: Blending for tweed simplified
  • Lifted batt, layered again, total of three times.

NOTE: Each time you blend the mix, the colors become less distinctive and magically the all-over color becomes nearly a neutral. These were blended 3 times, then a 4th before drawing out rolags.  Blend only once or twice for most colorful results, 3 or 4 times for very subtle and subdued ” neutral ” results.

  • Lifted bat, and sectioned into strips of about 3, layered again, loosely.
  • Drew off rolags.
  • I’m naming this colorway blend ” Opalescent ” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

(( Click 1st image in mosaic to go to slideshow with commentary. ))

Tweed Chronicles: One + One

jenjoycedesign© dyed braid + white 1

How good it is to be back to my Tweed Chronicles!  I seriously have been yearning for this moment for what seems forever, thinking about wool blending in my sleep.  So having moved tools of the trade into the new loft room, it is with great celebration that I resume my blending experiments, just as I was doing two years ago.    I have been contemplating a pale palette over the last year, ” pastels ” just appeal to me these days, wanting to tame the intensity in life with soothing color I suppose.  I received so many gifts from the spinning community after the wildfire, not only a beautiful Ashford Traditional spinning wheel from “L” (thank you so much L , I am forever grateful, and the Ashford is working beautifully after being stored four seasons in a shed!)  but there were many gifts of spinning wool too (thank you & hugs to everyone who sent wool!).  So now having everything nicely within reach, I looked over it all and got an idea with a hand-dyed color braid I found, by Nest Fiber Club, called “Muse”. 

Wanting to lighten up the color a great deal, I added one part white. I went from these . . . 

jenjoycedesign© dyed braid + white

To these . . .

jenjoycedesign© dyed braid + white 2

to these . . .

jenjoycedesign© dyed braid + white 3

and finally to these . . .

jenjoycedesign© dyed braid + white 7

I reckon I will be spinning up these tasty wool sausages next and seeing how my hand at the wheel does after an unplanned hiatus.  This was the perfect re-entry into my blending experiments too, although I was a bit forgetful about the steps, it came out lovely. Now as I need some practice again with my recipe documentation, here’s how I did it . . .

♣     ♣     ♣

Techy stuff for One + One…

  • Recipe I am calling “One + One” is 1 part hand-dyed colored roving plus 1 part undyed roving in natural white, grey, brown, or black, etc. (in this case white).
  • I split a sliver off the “side” of the length of dyed roving, along the entire length so that it has the same colors in sequence as the hand-dyed roving. I then weighed, and it was 28g. I then matched the same weight in ultra fine white merino, totaling 56g.
  • Then divided the two rovings equally into  4 thinner slivers ( made into little rolls to photograph) to hold together while drawing onto the teeth of the blending board, until the teeth were moderately full ( which actually only took three times, and why you see my wool rolls count go from 4 to 3)
  • Using paintbrush tool to lift batts from board, (rolling up again to photograph 1st mix) I drew out each roll onto the board again as before, resulting in slightly finer mixing of color, for a second batt.
  • Repeated last step again, ending after a third time.
  • Drew off rolags.
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

Click 1st image in mosaic and go to slideshow in sequence with commentary… 

Tweed Chronicles

jenjoycedesign© spinning tweed

I can’t stay away from the blending board…

jenjoycedesign© colors to blend

 nor can I stop testing my instincts about color,

and layering them ever so finer … and finer …. and even finer…

jenjoycedesign© 1st batt

1st batt, 1st carding

 just to see how the colors will work together.

jenjoycedesign© tweedy 3

Because perhaps I am just ridiculous!

jenjoycedesign© detail

rolags from 2nd batt, second carding, and wonderfully oceanic!

So I have decided to make a new category  ~~  Tweed Chronicles ~~ wherein I can post my tweed yarn making refinements, as I explore both predictable as well as the unpredictable color combinations (maybe especially the unpredictable),  my learned improvements of technique, and so on.

jenjoycedesign© tweed 9

Techy stuff 

  •  20g of white undyed roving I acquired decades ago, the tweedy “nepps” from the slubby roving are excellent for tweed, 20g of mixed Shetland I over-dyed with color peacock, 10g of Corriedale  aqua, and 10g of Corriedale dark denim.
  • Layered very thinly … I mean really a lot of thin layers… using technique: Blending for tweed simplified. 
  • Lifted batt, layered again a second time.
  • Drew off rolags.
  • Total of only two “cardings”.

♣   ♣   ♣   ♣   ♣

I have found another gem in the “Hands” series I’ve been watching countless times over the last month, while I learn the technique of long-draw tweed spinning on my little wheel, and learn the art of color in fiber.  And because I have always been so deeply inspired from nostalgia, this one is my new favorite.  Enjoy!

Tweed Chronicles: Fiber Blending Recipe 3 – Carded

jenjoycedesign© carded mix rolags

Tweedy mossy wool sausages are the most recent in my string of obsessive experiments in color blending, and this time in which I am basically carding by using the blending board alone! I lay down the layers, and lifting the batt after teeth are full, section out the batt and with little pieces I pull down into the teeth again and again and again. This process doesn’t need hand carders, I am able to homogenize colors & fibers with the blending board as the only carding tool!

jenjoycedesign© carded rolags detal

The depth of color created from blending many colors together create a stunning result! Compare to the original solid dyed olive roving, to the tweedy rolags with a prism of colors hazing into each other, all together making a very similar green. (I will show spun yarn photos later, for I have notes on actual spinning that I want to go into a little depth about)

jenjoycedesign© carded mix with original olive roving

I am documenting my tweed yarn making process, hoping that I will arrive with a few tested methods which I can use as recipes in future to refine my own tweed color palette. I am inspired now, to do it all with only my blending board , because there is such freedom unfolding ahead of me, in discovering I can perfectly well make my own personal tweed colorway from an array of solids in the fiber of my choice  ~~ making the vertical hand-made experience all that much more in depth & customized.  I feel like I am my own micro wool mill, and I am unstoppable.  

Meanwhile, I hope all of this fiber tech stuff does not bore the socks off of you ~~ if so, I promise, this will be a string of a few more posts, then I will move on to my usual philosophical banter about life on the mountain.

jenjoycedesign© tweed 7

♣    ♣     ♣     ♣    ♣

Now back to the techy stuff…

Edit In: I have posted HERE a final best method of my Fiber Blending Recipe #3.

Notes on Blending Recipe 3: For the best homogenization of color I have used only wool fibers, they are: undyed fawn Shetland, olive Corriedale, mallard (dark teal) Corriedale, and amber corriedale.  Here is what I am doing , as illustrated by a photo slideshow at the bottom of the post.  In case you want to make more than one micro batch, a good idea to write down weights of each color, so you can repeat process.

jenjoycedesign©004

  1. Portion out the fiber I want to mix, weighing if possible.
  2. One at a time, ​thinly layer each color into the teeth of the blending board, combing down the fiber between each layer, until all the fiber is loaded onto the board and the teeth are full.
  3. ​With comb lift whole batt off of teeth.
  4. ​Divide batt now into small sections, and again thinly layer into teeth, pulling and drafting & “carding” as you thinly layer again. You are essentially carding using your hands to pull fiber along one carding surface.
  5.  Repeat this process until the fibers and colors are fully homogenized, or as desired.
  6. Draw fiber out into rolags!

You can find all of my experiments in blending & Fiber Blending Recipes HERE

Okay then, here’s the show!

This slideshow requires JavaScript.

A blending hybrid…

jenjoycedesign© handmix & carded rolags 1
I am deeply immersed in fiber and color mixing with fiber.

jenjoycedesign© 1
More like obsessed!

This study of tweed & color is finally starting to take a direction.

It all began a few months ago when I was discovering one after another of old mill videos, and longing to make tweed yarn by my own hand, and without the colossal expense of a drum carder.  I talk about it back in a mid-summer post.  Since I  made myself a blending board, I can’t leave it alone, and so naturally I’d be inventing my own blending recipes which I am merrily posting quite feverishly lately, and I am progressing quite rapidly to understanding tweeded color in yarn.
jenjoycedesign© 3

Okay, so these plum wool sausages are the most recent experiment, a hybrid actually, wherein I am including hand-mixing and also a bit of carding,  with hand carders against my blending board, just like a flat rendition of a drum carder.  You don’t need to use hand carders, you can use a wire tooth pet brush too.

((Actually, a bit of a spoiler, but next blending experiment I will only card, and using only the blending board without a hand carder, and in doing so I realize that doing both the hand mix and carding in the same is overkill. ))

036

This big beautiful batt of once carded fiber, gets loaded back on for a second finer mix, and then the final mix gets drawn off into rolags.

And then I’ve begun to spin….

jenjoycedesign© 4

For the best homogenization of color, I feel that I need to steer away from varying fiber textures, so this is all wool & alpaca, no bamboo or silk, because I want no clumping up of fibers if possible in this finer tweed color mix, with solid colors still coming out in hints , but no color splashing.

Here is the final result of this fiber blending recipe, although the camera is not catching the spectrum of colors well, they’ve hazed into a nice grey plum pudding!

jenjoycedesign© hand-mix plied

Fibers used in this micro batch are: grey baby alpaca, blue Corriedale, red Corriedale, and fuscia Merino.  Here is what I am doing , as illustrated by a photo slideshow at the bottom of the post.

  1. Portion out the fiber you would like to mix, weighing if possible.
    Divide into smaller manageable piles to mix by hand.
  2. One at a time, mix fibers in the smaller piles by hand, holding each end and firmly pulling fiber apart. Repeat as desired — I did this about 10 times each, but you can do more or less.
  3. Fill teeth of blending board with hand-mixed fiber.
  4. With hand carder, card wool and then pull off of carders.
  5. Repeat until all fiber has been carded, and lift off batt of remaining fiber on blending boad.
  6. Fill teeth with carded fiber,  combing between applications to fill teeth as much as possible.
  7. Draw fiber out into rolags!

For all posts on my Fiber Blending Recipes HERE

Here’s the show!

This slideshow requires JavaScript.

 

Spinning seashells…

jenjoycedesign© spinning seashells

This fiber “Optim Ultrafine Merino” is just so luxurious, and in a way, effortless to spin, yet really takes some practice.  I posted the blending recipe the other day when I made the rolags “the color of seashells”  , I remark  how the fiber base Merino Ultrafine is incredibly downy soft, and fine….

jenjoycedesign© seashell detail

But let me tell you, it is slippery and not easy to manage without breaking it a lot while spinning, that is , until you get the hang of it.   I am practicing sort of three new things at once; long draw drafting from rolags, fixed my wheel so it can go high speed, and also spinning this new gorgeous slippery fiber.

jenjoycedesign© seashell rolags 2

This woolly confection is inspiring me to put up a shop on Yarnings just to sell a few little luxury ultra-handmade things ~~~ knitted things that I’ve knit from yarn I’ve spun from art rolags I blended on my super nice blending board that I made, and in my own designs of course.  A little too much in all directions, yes, I’ll agree, but oh boy these tasty wool sausages are sweet nectar to my eyes, and deserve as much publicity as I can muster up!

jenjoycedesign© seashell rolags 3

Life is good and Autumn is near!