Tweed Chronicles: Clover

Posted on December 20, 2017 by Jen

photo in archives: A Walk Among Wildflowers

There is absolutely nothing that I can think of as red in the wild landscape as the crimson clover which grows abundant in the meadows nearby on the mountain, the meadows where Emma and I have walked countless times, and forefront of my mind when I think of a name for the colorway of red. Wild, herbaceous gobs of crimson, are the trifolium incarnatum flowers.

jenjoycedesign© red clover rolags

Crimson is the color I am trying to grasp.

jenjoycedesign© red clover spinning

It needs a little improvement for next time (perhaps more red)

jenjoycedesign© red clover spun 2

But this is it ~~~ my crimson clover .

jenjoycedesign© red clover spun

I am looking forward to six months from now when the wildflowers will hopefully have returned from the burned topsoil, as the grass has already … shy little green sprouts everywhere ! Tomorrow morning is the winter solstice, and I am glad to see it finally come, and to see pass my huge disappointment of once favored ( oh how fickle of a season) Autumn. Winter come, o’ please be gentle, cast your sleepy spell on the landscape, and clean up the blackened death from the wildfire, soften it with rain and bring back the wildflowers and the moss, so that the landscape may wake anew with spring growth, restored and resilient and colorful. Autumn, to you I bid good bye.

♣ ♣ ♣

Techy stuff for Red Clover…

Began with Secondary Triad Neutral recipe using approx 5g each of green, purple, and orange, blended thoroughly on blending board (see Blending For Tweed Simplified) Note: for a more dramatic tweed, with gobs of color splashing through, blend only once , then continue.

Lift neutral batt, layer alternately with 5g each of ruby red and rose pink.
Lift batt, layer alternately with 5g (or more) of red.
Draw off rolags.
Colorway blend: “Red Clover” .
See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: The color of fog …

Posted on December 15, 2017 by Jen

photo from archives: Shades Of Fog

Fog is a huge part of life on the mountain, for me, and I just love the fog show …

fog in January, 2015

I love to watch it pour over the ridge from the Pacific, fluid and volatile, and into the valley, or splashing up from it. I also love it just thickly hovering about …

photo from archives: Foggy

So naturally, my next tweed endeavor must capture the color of fog !

jenjoycedesign© fog white

It is my basic white, well, a near white, where like fog, you see faint color of images behind …

Just a tiny bit of the color-saturated neutral to start, then blended several times with increasing amount of white wool, so you’ll see flecks of blue, red and yellow upon close inspection.

jenjoycedesign© 018

I really am enjoying developing a personal hand-spun color palette, and see no end to my combing wool in different combinations, racing obsessively from blending board to the spinning wheel, grabbing my camera to photograph, wash, dry, wind on swift, photogragh again …

jenjoycedesign© fog 5

… then on to the next !

♣ ♣ ♣

Techy stuff for Fog (white)…

Color Saturated Neutral recipe for approx 10-15% base, primary triad of blue, red, and yellow: Blended thoroughly on blending board. Note: for a more dramatic tweed, with gobs of color splashing through, blend only once , then continue.
Starting with white, layer alternately with neutral (see Blending For Tweed Simplified)
Lift batt, divide as needed and layer again and again with more white, repeatedly fully hemogenized, more or fewer times until white/neutral values balance as desired.
Draw off rolags.
Colorway blend: “Fog” .
See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: Madrone

Posted on December 12, 2017 by Jen

(photo from archives Whisper In The Woods)

What I miss most right now, are the madrones , Arbutus Menziesii, a unique kind of tree native to the California Coast and mountain ranges, with an interesting rusty orange bark that sheds in papery sheets…

Pacific_Madrone_Arbutus_menziesii_Branch_Fork_2120px

Madrones have an indescribable color if ever you were to witness, it turning at first shed a bright green, which changes in a matter of days to a greyish orange, then to browner rust.

( photo from archives… Gone Wild)

Among the madrones is a wonderful place to be; hidden, enchanting, and ever-so-quiet, and kept company right outside of the window where I loved to write, knit, or spin. I have tried to capture my madrones, blending color after color, overdoing the layers, but eventually I think I found close to the indescribable. A bit too much orange I think, but I have made notes of how to improve my next blending experiment.

♣ ♣ ♣

Meanwhile Emma seems to be perfectly happy in her new napping places…

Emma

I take her up nearly everyday to the woods, the place where the house was ~~ will be again~~ (which is as of last weekend a nice freshly excavated dirt area) , and she loves to sniff the air while riding in the back of the car with the windows down, and bark at the cows or horses she see’s along the way. I spoil her a lot these days, and we love our trip up the mountain to the ‘house’ … we meander as before, and I am knit-walking again!

♣ ♣ ♣

Techy stuff for Madrone …

Color Saturated Neutral recipe. for base: approx. 3g each of primary colors, and 10g of white, blended thoroughly on blending board 3 times (see Blending For Tweed Simplified) Note: for a more dramatic tweed, with gobs of color splashing through, blend only once , then continue.

Added 10g each of cinnamon, rose, and amber, layered again.

Lift batt, and layered again. Too pink, so decided to add 5g of amber.

Not brown enough, so added 5g Hazelnut, and layered to have a bit of brown streaking in the spin.

Drew off rolags.
Colorway of blend “Madrone”
Note of improvement: Next time more red instead of the amber step, and more brown on last blend.
See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: Wild Flax

Posted on December 7, 2017 by Jen

jenjoycedesign© spinning by a window

Spinning by a window …
jenjoycedesign© spinning Wild Flax light flooding in to unwind my shadowy worries.

jenjoycedesign© 010

I cast my mind to a warm landscape of wild flax …

hoping to find the colors of the flowers in the wool blend …

jenjoycedesign© 019

I have been doing a lot of fiber blending, and a little spinning too, which is for now easing me slowly back into creative mood ( and am so grateful to “L” for the gift of a beautiful Ashford Traditional spinning wheel!)

jenjoycedesign© spun

Wild Flax; Linum perenne var. lewisii , Lewis Flax, blue flax or prairie flax, seen on the roadside along Mt Veeder road in July, and sometimes early August. Not the domestic farmed species for linen, but just one of the common beautiful wild flowers of Napa Valley that we all call “ wild flax “.

In closing, FEMA clean-up crews have been working rapidly in Napa & Sonoma counties since the wildfire of October, and by the end of December, maybe a clean slate for us? Impossible to forecast the rebuilding ahead, for now I find the cozy window here my joy of the afternoon.

♣ ♣ ♣

Techy stuff for my Wild Flax Blue …

2 g each of primary colors (6g tot) , for a base of color-saturated neutral , see this post; blend thoroughly on blending board 3 times Total 6g. Note: for a more dramatic tweed, with gobs of color splashing through, blend only once , then continue.
6g cornflower blue, layer very thinly one color at a time, with neutral base. Tot 12g.
Lift batt, layered again with 2g each of white, light green, teal. Tot 18g.

( I was trying to get more blended base, with a ‘dusting’ of brilliant blue on the last blend…)

Lift batt, and layered again with 2g of cornflower blue. Tot 20g.
Drew off rolags.
Colorway of blend “Wild Flax Blue”
See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: Color Saturated Neutral

Posted on December 6, 2017 by Jen

jenjoycedesign© spun
I have successfully made a color saturated neutral.

Nested in a mountain of other neutral tones, you don’t see it right away,

but look at where I started …

jenjoycedesign© primary & secondary mix
Primary and secondary colors all in exact equal amounts …

carded three times on the blending board …

then drawn out into tasty wool sausages !
jenjoycedesign© rolags

If you check out my Primary triad blend here , I’ll say that the secondary triad blend experiment was much the same, nearly indistinguishable from the primary , and theoretically should be the same for any color triad on the color wheel . Tertiary triads too, and lighter values of the triads; as light blue for blue, pink for red, aqua for teal, peach for orange, etc.

In this experiment, I used two triads together ; primary + secondary , for my ultimate color-saturated neutral, and I must say this blend was really fun to spin … the colors are all there.

jenjoycedesign© spun detail

I’ve got my color-saturated-neutral base recipe, a base for my own color palette of ‘slightly earthy heathers’ , as I’ve never been drawn to vivid hues when buying yarns. From a color-saturated neutral I can base everything, light or dark, and with color intensity varying. I’m looking forward to developing more recipes ~~ watch this space!

♣ ♣ ♣

Techy stuff …

Equal amounts of each of primary: red, yellow, and blue , and/or secondary: purple, orange and green.
Layered very thinly one color at a time, alternately. I mean really a lot of thin layers … using this technique,
Lifted batt, layered again, total of three times.
Drew off rolags.
Colorway blend: “Color Saturated Neutral” .
See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: The color of sea grass.

Posted on December 4, 2017 by Jen

Pacific-coast-grass

I am deep into the study of color saturated neutrals.

What is a color saturated neutral? Well, when I blend equal amounts of the primary colors together, the affect is at first glance, a seemingly dull clay color , as I posted previously about HERE.

In this experiment I added to the primary triad mix, one secondary color – green, integrating all of the colors on the blending board with this technique , bringing the whole color balance leaning a little bit toward the green … a weathered sea grass green.

primary colors + 1 secondary (green)

first blended batt

second blended batt

I then added some un-dyed natural white to give it some texture and depth.

third blended batt, adding white

Colorway reminds me of the pampas grasses which grow along the Pacific coast.

While enjoying some spinning on my Ashford Traditional wheel (( a resonating gratitude to “L” who wishes not to be mentioned )) I have decided that perhaps Tweed Chronicles is a new love which causes only happiness …

And the studying of color is making me look deeper into the surface, and imagine how the colors are found the same way in nature.

Next I am pairing primaries with secondaries, and finding super color saturation in what is an alarmingly gorgeous & complex neutral. Watch this space!

♣ ♣ ♣

Techy stuff …

5g each of (near primary) red, yellow, and blue — plus green, merino roving = 20g.
Layered very thinly one color at a time, alternately. using this technique: Blending for tweed simplified
Lifted batt, layered again, total of three times. Lifted bat, and sectioned into strips of about 3.
With 15g white cormo roving, divided into 3 sections.
Layered very thinly white, then color blend, alternately.
Lifted batt, and layered again, loosely.
Drew off rolags.
I’m naming this colorway blend ” Pacific Coast Grass ” .
See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: Color

Posted on November 21, 2017 by Jen

Back into Tweed Chronicles I have found once again rhythm in myself, perhaps a melody too. I have been thinking about the color wheel, and the basics I learned decades ago, and so I am applying it now to natural fiber ~~~ easy enough!

In fact, my whole color blending Tweed Chronicles has little to do with wool breeds and fibers, almost nothing to do with spinning technique ( I am only a fair spinner) … but nearly all pure color theory, and blending technique. I am a colorist perhaps, above all.

I am merely attempting to relive the high points of discovery that must have happened with folk centuries ago in the tweed mills, of a bygone era. I am all about the bygone era I think, feeling that deep tap root into human creativity that runs timeless and wild.

Putting the primary colors together in a kind of color triad, is something that normally I would never do, for I am not in the least fond of primary colors, or even secondary. But the complex blends of colors are made of of the basic colors, and so I am working with the primaries & secondaries in a tweed experiment that I hope works just as I am conceiving it in my mind, as I lose myself to sleep at night, dreaming the magic of heathered tones.

The best time of day is when the sun shines through the window bright enough to bring to life the best work of my imagination. Couple that with a delicious cup of coffee, and who would want anything more of the morning?

Well now, its off to the charity shops to see if I can find some good chairs! Aside from this recent color blending euphoria, I am feeling a bit too tender and not wanting to cooperate with the holidays this year. Scotty, beam me to January.

♣ ♣ ♣

Techy stuff of what I did …

5g each of (near primary) red, yellow, and blue dyed merino roving = 15g.
Layered on blending board very thinly one color at a time, alternately. I mean really a lot of thin layers … using technique Blending for tweed simplified.
Lifted batt, layered again a second time, then a third. Lifted bat, and sectioned into strips of about 5 or 6.
With 15g white cormo roving, divided in as many sections as the color blend.
Layered very thinly white, then color blend, alternately.
Lifted batt, and layered again twice.
Drew off rolags.
I’m naming this colorway blend ” Primary Triad + white”.
See ALL color blending experiments & recipes archived in Tweed Chronicles

Lingering question of the day: Which one of you generous people sent me all of the Cormo wool? Was it Laurie? Rose? Adele? Lynette? (I am so sorry I lost track, but I’ve been rather hollow in my head!) From the bottom of my heart~~ thank you~~ it is absolutely dreamy!!!!