Many years retrospect . . .

I want to set some goals for myself. I’ve always struggled with goals, but it shouldn’t be difficult if something is a only a certain win, involving no sacrifice, only focus. One of my goals is spinning intentionally. This is actually a trend I’ve heard about a lot lately, a buzz phrase so to speak. I know how to spin, I know how to knit, but decades have passed where I have done so little to bring the two together. So now its time to bring the two together as they are meant to be . . . to spin for a project in mind. . . to me, that is what is spinning with intention. My secondary goal is to purchase far less yarn, and to use up what I have, so that eventually I will be reliant on spinning for projects. Stopping the addictive yarn buying, and making do, will involve a serious concentrated effort, and in future recreational yarn purchases will be a much rarer event.

Backstory: I learned to spin in the Autumn of 1987, when I joined a spinning group which I attended for many years, and which I posted about way back in my blog archives, and the first thing I spun on a borrowed spinning wheel, was about a pound of washed uncarded Lincoln-Corriedale locks from Joanie. She helped me dye the locks of fleece in a pot with splotches of different colors of Rit Dye, then steamed gently. I then spun directly from the dyed locks. Then learned to ply. Then last, my mother taught me how to knit my first vest with my new hand-spun, during the last spring season she was alive. It was a simple improvised pieced thing with two fronts and a back, bands picked up and worked at finish. I don’t think I even blocked the vest after I finished, having been the first thing I ever knit, but just put it on and hardly took it off. Here I was back then about 1989, must have been a while after the vest was finished . . .

Decades pass. A few years ago, having gotten somewhat decent at knitting I designed my Calidez Vest pattern, inspired from that very vest of old days, a connection to my mother.

Another backstory: Shortly after the wildfire of Oct 2017, Lynette who lived on the other side of the Bay, brought up to me and gave her Ashford Traditional spinning wheel along with many bobbins and even fiber! Also happening at this time; all kinds of fiber was sent to me from an Upper Napa Valley spinning group, (which I attended only once) and ashamedly I didn’t keep track and lost those contacts through my horribly unsettled transient months. If any of you reading this are or were a part of that generous Calistoga group in Autumn 2017, you know who you are, and I’m sending you hugs of gratitude! Its been several years now, but I finally feel I am back into my feet. I am dedicating this whole new focus of Spinning With Intention to everybody who has been nudging me along, and I realize only now how much :to tears: that I miss spinning, like I use to, way back in that decade before I knit much, when I spun just to spin beautiful hopeful skeins. After revisiting the blending board project of summer of 2019 . . .

jenjoycedesign© Rose Blend 1

and then moving into our house and promptly forgetting about it most of the year, I have finally finished the spinning . . .

Finished result is a homogenized dusty rose pink. The color of Love.

Almost 500 grams of my own tweed blend hand-spun yarn. What a lot of work! You wouldn’t know it by looking at the photos, but what I have been doing for ultra soft and fluffy yarn lately is scouring the skeins right off the plying bobbin. I guess the effect is similar to a felted tweed sort of thing, but I don’t let the yarns stick to each other, am just careful enough in the scouring to felt only a tiny bit. Moz taught me the “thwacking” trick; grabbing the skein and sailing it through the air, and whacking it really hard against a smooth surface, like on the inside of the bathtub, at 1 o’clock, 2 o’clock, etc, which straightens out all the strands just before hanging out to dry so nothing is crumpled. Of course, when fully dry I must re-skein everything to get all the partially stuck fibers dislodged, and then to let it rest without even the tension of a ball, just a nice relaxed skein for a few days, before starting to knit it. Super lovely yarn if you ask me.

Scoured tweed is my thing, and since I’m not making yarn for anybody but myself, I think this way the yarn gets a head start in the world of hard wear, and like I mentioned, it really ends up terrifically fluffy, soft, and airy. Just like they do with the waulking of the wool in the woven tweed. Soon I will be casting on my first intentionally spun-to-knit project since that time over thirty years ago, with a Calidez Vest with my own tweedy handspun!

Thank you with a heart burst of gratitude to Lynette who brought me the best spinning wheel I could have imagined for myself, Lori-Go-Lightly (who broadcast my wildfire tragedy on a Ravelry spinning group and through her efforts I was recipient of so much generosity via Ravelry pattern buyers and her Upvalley Spinners who sent me a big box of fiber, Adele for sending me her Ashford Blending Board to use as well as a gift of a lovely drop spindle to keep me going, and of course, and last but not at all least, thanks to Bernard & Joanie for sending me the above photo recently and reminding me who I was & what mattered, and for helping me span the decades. I am coming full-circle now, into my roots.

jenjoycedesign© spinning in a room 2
Spinning in newly rebuilt loft room , September 2019

Landed in the new loft…

jenjoycedesign© objects de arte.JPG
Hi everybody,  its me,  Abelene.

We have landed!  Me, the Ashford wheel, and some dusty old baskets, up here in the new place, because Jen has decided to take claim and begin getting her tools of the trade into the far-from-finished loft, and months ahead of the house completion.  Jen spoke of a basket with a sock project in every room a while back in Never Far From A Prayer, and well, she ended up with quite a few (she says she’s embarrassed to admit just how many) vintage Longaberger baskets to load up with knitterly things. And spinnerly things too, and stash about places. She’s got plans for them all. The beautiful Ashford Traditional wheel is going to need some real polishing up, and the drive band got eaten by a mouse in the shed over the last year. Such is Life In A Shed.  Jen wants me to tell everybody how much she is looking forward to getting back to spinning and the Tweed Chronicles once her blending board #2 is all set up.

jenjoycedesign© tools-of-trade.JPG

Me, Ashford & The Longabergers, we love our new dwelling, and are snug as a bug in a rug!

Ta ta for now,
Abelene

Yarn Tasting: An Irish Tweed

jenjoycedesign© Irish Tweed 2

My new wool love is Isager Tweed,   made in Ireland and the most gorgeous commercial tweed yarn I’ve seen in my local yarn shop to date. Ever since Rowan discontinued their Fine Tweed yarn, I was not sure how to improvise a substitution for a rustic multi-color tweed single ply.

What is it about tweed that is just so utterly  sensual,  timeless,  and tasteful?

jenjoycedesign© Irish Tweed 3

Isager Tweed in Navy and Winter Grey

It must be color variegation which happens only when yarn is spun from pre-dyed fibers,  blended together so that those little explosions of random ~~ sometimes quirky,  sometimes quiet ~~ contrasting color flecks just pop out, and make the visual as well as tactile texture very distinctive.

jenjoycedesign© Isager Irish Tweed

Ireland and the British Isles have been for centuries steeped in the wool mill industry,  its countryside once peppered with countless woollen mills during the Industrial Age, but in modern times there are only a handful of the old mills still producing, for major yarn companies (like Isager) as well as a growing number of indie knitwear designers who wish to have their own mill spun label.

jenjoycedesign© Irish Tweed

The yarn is fingering to fine-fingering weight,  a blend of wool and mohair , in a beautifully rustic single ply.  It has a very subtle coarseness ,  I am guessing from the goat hair,  which gives it an old world feel and ever so like handspun with slight thick and thin variation in the yarn,   but at the same time it is soft to the touch from being mostly a downy breed of wool to balance out and gives it a very versatile feel.   Even though I am deeply involved in the spinning of my own tweed,  and I actually aspire to produce a single ply tweed much like this yarn, but if hand-spun isn’t handy,  I can’t go wrong with the real Irish spun.  I must say how lovely it is that my local yarn shop has this great yarn, and in the best colors too.

♣     ♣     ♣

Oh! I found yet another wool film in the “Hands” series about how to make a Donegal spinning wheel!   I hope you enjoy it as much as I have …