Tweed Chronicles: Wild Flax

jenjoycedesign© spinning by a window

Spinning by a window  …
jenjoycedesign© spinning Wild Flaxlight flooding in to  unwind my shadowy worries.

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I cast my mind to a warm landscape of wild flax …

 hoping to find the colors of the flowers in the wool blend …

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I have been doing a lot of fiber blending,  and a little spinning too, which is for now easing me slowly back into creative mood ( and am so grateful to “L” for the gift of a beautiful Ashford Traditional spinning wheel!)

jenjoycedesign© spun

Wild Flax; Linum perenne var. lewisii , Lewis Flax, blue flax or prairie flax, seen on the roadside along Mt Veeder road in July, and sometimes early August. Not the domestic farmed species for linen, but just one of the common beautiful wild flowers of Napa Valley that we all call “ wild flax “.

In closing,  FEMA clean-up crews have been working rapidly in Napa & Sonoma counties since the wildfire of October, and by the end of December, maybe a clean slate for us? Impossible to forecast the rebuilding ahead,  for now I find the cozy window here my joy of the afternoon.

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Techy stuff  for my Wild Flax Blue …

  •  2 g each of primary colors (6g tot) , for a base of color-saturated neutral ,  see this post; blend thoroughly on blending board 3 times Total 6g.    Note: for a more dramatic tweed, with gobs of color splashing through, blend only once , then continue.
  • 6g cornflower blue, layer very thinly one color at a time, with neutral base. Tot 12g.
  • Lift batt, layered again with 2g each of white, light green, teal. Tot 18g.

( I was trying to get more blended base, with a ‘dusting’ of brilliant blue on the last blend…)

  • Lift batt, and layered again with 2g  of cornflower blue. Tot 20g.
  • Drew off rolags.
  • Colorway of blend “Wild Flax Blue”
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

Tweed Chronicles: Color Saturated Neutral

jenjoycedesign© spun
I have successfully made a color saturated neutral.

Nested in a mountain of other neutral tones, you don’t see it right away,

   but look at where I started …

jenjoycedesign© primary & secondary mix
Primary and secondary colors all in exact equal amounts …

carded three times on the blending board  …

then drawn out into tasty wool sausages !
jenjoycedesign© rolags

If you check out my Primary triad blend here ,  I’ll say that the secondary triad blend experiment was much the same, nearly indistinguishable from the primary , and theoretically should be the same for any color triad on the color wheel .  Tertiary triads too, and lighter values of the triads; as light blue for blue, pink for red, aqua for teal, peach for orange, etc.

In this experiment,  I used two triads together ;  primary + secondary ,  for my ultimate color-saturated neutral, and I must say this blend was really fun to spin … the colors are all there. 

jenjoycedesign© spun detail

I’ve got my color-saturated-neutral base recipe, a base for my own color palette of ‘slightly earthy heathers’ , as I’ve never been drawn to vivid hues when buying yarns.  From a color-saturated neutral I can base everything, light or dark, and with color intensity varying.  I’m looking forward to developing more recipes ~~ watch this space!

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Techy stuff …

  • Equal amounts of each of primary: red, yellow, and blue , and/or secondary: purple, orange and green.
  • Layered very thinly one color at a time, alternately.  I mean really a lot of thin layers … using  this technique,
  • Lifted batt, layered again, total of three times.
  • Drew off rolags.
  • Colorway blend:  “Color Saturated Neutral” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

 

Tweed Chronicles: The color of sea grass.

Pacific-coast-grass

I am deep into the study of color saturated neutrals.

jenjoycedesign© rolags 4

What is a color saturated neutral? Well, when I blend equal amounts of the primary colors together, the affect is at first glance, a seemingly dull clay color ,  as I posted previously about HERE.

In this experiment I added to the primary triad mix, one secondary color – green,    integrating all of the colors on the blending board with this technique ,  bringing the whole color balance leaning a little bit toward the green … a weathered sea grass green.

jenjoycedesign© primaries + green

primary colors + 1 secondary (green)

jenjoycedesign© first batt

first blended batt

jenjoycedesign© second batt

second blended batt

I then added some un-dyed natural white to give it some texture and depth.

jenjoycedesign© third batt + white

third blended batt, adding white

Colorway reminds me of the pampas grasses which grow along the Pacific coast.

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While enjoying some spinning on my Ashford Traditional wheel (( a resonating gratitude to  “L” who wishes not to be mentioned ))   I have decided that perhaps Tweed Chronicles is a new love which causes only happiness …

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And the studying of color is making me look deeper into the surface,  and imagine how the colors are found the same way in nature.

Next I am pairing primaries with secondaries, and finding super color saturation in what is an alarmingly gorgeous & complex neutral. Watch this space!

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Techy stuff …

  •  5g each of (near primary) red, yellow, and blue — plus green,  merino roving = 20g.
  • Layered very thinly one color at a time, alternately.  using this technique: Blending for tweed simplified
  • Lifted batt, layered again, total of three times. Lifted bat, and sectioned into strips of about 3.
  • With 15g white cormo roving, divided into 3 sections.
  • Layered very thinly white, then color blend, alternately.
  • Lifted batt, and layered again, loosely.
  • Drew off rolags.
  • I’m naming this colorway blend ” Pacific Coast Grass ” .
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

 

Tweed Chronicles: Color

jenjoycedesign© tweed1

Back into Tweed Chronicles I have found once again rhythm in myself, perhaps a melody too. I have been thinking about the color wheel, and the basics I learned decades ago, and so I am applying it now to natural fiber ~~~ easy enough!

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In fact, my whole color blending Tweed Chronicles has little to do with wool breeds and fibers,  almost nothing to do with spinning technique ( I am only a fair spinner)  …  but nearly all pure color theory, and blending technique.   I am a colorist perhaps, above all.

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I am merely attempting to relive the high points of discovery that must have happened with folk centuries ago in the tweed mills, of a bygone era. I am all about the bygone era I think, feeling that deep tap root into human creativity that runs timeless and wild.

jenjoycedesign© tweed spun

Putting the primary colors together in a kind of color triad, is something that normally I would never do, for I am not in the least fond of primary colors, or even secondary.  But the complex blends of colors are made of of the basic colors, and so I am working with the  primaries & secondaries in a tweed experiment that I hope works just as I am conceiving it in my mind, as I lose myself to sleep at night, dreaming the magic of heathered tones.

jenjoycedesign© tweed spun 3 detail

The best time of day is when the sun shines through the window bright enough to bring to life the best work of my imagination. Couple that with a delicious cup of coffee, and who would want anything more of the morning?

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Well now, its off to the charity shops to see if I can find some good chairs!   Aside from this recent color blending euphoria, I am feeling a bit too tender and not wanting to cooperate with the holidays this year.   Scotty, beam me to January.

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Techy stuff of what I did …

  •  5g each of (near primary) red, yellow, and blue dyed merino roving = 15g.
  • Layered on blending board very thinly one color at a time, alternately.  I mean really a lot of thin layers … using technique Blending for tweed simplified.
  • Lifted batt, layered again a second time, then a third. Lifted bat, and sectioned into strips of about 5 or 6.
  • With 15g white cormo roving, divided in as many sections as the color blend.
  • Layered very thinly white, then color blend, alternately.
  • Lifted batt, and layered again twice.
  • Drew off rolags.
  • I’m naming this colorway blend ” Primary Triad + white”.
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

Lingering question of the day:  Which one of you generous people sent me all of the Cormo wool? Was it Laurie? Rose? Adele? Lynette? (I am so sorry I lost track, but I’ve been rather hollow in my head!) From the bottom of my heart~~ thank you~~ it is absolutely dreamy!!!!

i heart tweed

jenjoycedesign© hearts3In this holding place where I have been living a short while, there has been left behind this little grouping of hearts in a line.    It makes me think about … (how could it not?) … what I love.

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And what I already miss of my own. 

There are things which are not objects that I love, obviously . . .

I love, love, love knitting …

And I love designing knitwear & writing patterns …

and stitching & spinning  …

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But I have come to see that I most definitely love right now, color blending of fiber !   Enough feeling sorry for myself while not having the things I love, it is time for me to focus on doing the things I love.    Some good people have given me for my own, a spinning wheel & loads of fiber.

I have at loan until I can make my previous jumbo blending board to specs again, an Ashford blending board which is doing the trick for my setting everything into motion.  I have bought some colors, and am presently in a learning curve, how to do it on different equipment and a different creative space  …  and I’ve already gotten knee-deep into a new unpredictable tweedy blend to spin on my new wheel.

But I have decided that presently what I enjoy most of all is color blending with fiber, especially unpredictable color blends . . .

Everywhere people are giving, at the yarn store I was given a donated knitted vest, as well as bags full of yarns, all from a back room filled with donations for the hundreds of displaced people who lost their homes in the wildfire. So, having been given a Noro silky tweed knitted vest, I decided to unravel it for the yarn, which I think is quite beautiful as a fluffy neckwear piece on Abelene #2 ( I was lucky to find another just like Abelene#1 ) … who is modelling in front of the antique dresser & mirror given to us by a friend of a relative, the mirror which I am photographing many of my tweed chronicles experiments! 

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Tweed News: I am totally and completely immersed in my tweed blending and spinning. Being my own micro mill is pretty much what excites me these days, and I feel I am making headway on my personal palette. More to come, very soon to post my next forthcoming, after it gets spun up.  But for now, I leave you with yet another Tweed Film I have found, as these old films so inspire me!

Artful

jenjoycedesign© new artful spaces

There is a whole different gait about me in this holding place.

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Seeking out new photogenic sweet spots …

I look and look in this new place, and think there is nowhere artful …

jenjoycedesign© Autumn sweaters finished

 Then the sun only needs to fall a little and the angles of glowing light reveal it to me …

There are the same warm light and shadow like old friends …

Coming to visit for the afternoon.

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Come friends, and sit at the table, and I will make tea in my new teapot. I am so glad you are not lost, but found again and again …

and every day.

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Oh, and the Autumn sweaters are finally finished. The sweaters were one of the few things I took with me when the fire came.  (( Thank you so very much Wendy for the buttons! ))  I hope to get them to my nieces soon, and experience their beautiful form & faces, and  those familiar places of Calistoga  … soon.

Fresh

jenjoycedesign© new space

Fresh. Clean. Beginnings.

jenjoycedesign© new place

In a new place, a space to explore, and lay-about.

jenjoycedesign© new lay-abouts

Emma and I are sleuthing out comfort in this transition, doing alright but not brilliantly, as can be expected. I have not knit,  nor have I walked very much to speak of.    Life upside-down brings different perspectives for certain,   and as I find myself upside-down,   well then I am resolved to learning new angles on form and experience.    Its okay, I have no complaints  ….  except that I miss my home terribly and to have to wait for it to be rebuilt is something I can not embrace just yet.

We’re fine otherwise, and are contemplating a far more minimalist life-style.

I am so grateful for the flurry of  pattern sales from you supporters out there (the post Recovering) and those of you who gave to me loving good thoughts & prayers.  A few things which managed to come to us by gift from friends have been shaping this holding place, and it feels just a teensy bit homier now ~~ thank you!

Abelene Two just just arrived at the door   …  just in time to inspire me to knit something to drape on her lovely form.  And I still am grateful for cups of truly delicious fresh coffee.

Thank you to all of you who have left heart-full notes during & in the wake of the wildfire. Please forgive my silence, and please know that I am so very much appreciating your words, in a wordless time. Thank you.