Two years ago today . . .

jenjoycedesignc2a9-sea-shell-rolags
From The Archives:  The Color Of Seashells

Two years ago today I was having a magical summer of discovery of wool blending and of color mixing.  It was on this day,  between blending Seashells, and  spinning Seashells and my hands were full of fluffy ultra-fine merino fluff with streaks of silky shiny bamboo, and splashes of color, and I fell totally in love with color blending on the blending board in that month of September 2017.

I am now making a running start folks, to land this phoenix bird in flight to the very same heartful & mindful place as then,  as if it were a blink of two years that I have not just wasted mourning in upheaval, but I have developed inwardly from great depths.  In transition homeward I feel the grip of intention taking hold and whether I am waking from a dream (yes, it so feels that way) or just finally ready, I am feeling suddenly endowed with a plan. A real plan.  More on this in forthcoming posts!

I have been spinning in the last few weeks a big 500g project of color blending that is mostly wool that was given to me — top roving mostly — and up until now my biggest focus has been color mix. I am all about color these days, being more of a colorist than a spinner with any real talent, but I am feeling a shift going on. I crave to spin submissive fluffy air light rolags and it occurs to me that I need to now focus not only on color, but staple of wool (that is the length of the hairs) and on drafting the rolags in a fashion which allows light-as-air spinning.  To get my thought, please watch this lovely short video (with gorgeous violin) that Morrie (“Moz”) just sent to me after I was writing to her about woolen spinning, and fiber staple, and even fiber consistency  ((thank you Morrie, this was just the drink I needed!)) . . .

If you go visit the page of the video, in the notes the author Ruth MacGregor writes a little bit about woollen vs worsted spinning. Woollen spinning is the technique which is beckoning to me, and at the risk of seeming so fickle, I have a hankering to start another  blending project as soon as our building final has passed sometime in the weeks forthcoming, and really sink my teeth into this woolen spinning technique. I am committed to spinning up all my 500g of English Rose Tweed, although not ‘monogamously’ ~~ I am going to be off on a tangent at the same time. Many tangents perhaps.

Can any of you spinning talents out there suggest your opinion of the perfect breed of sheep for traditional woollen technique of spinning?

One of the things I have wanted to do for a long time, probably starting since that Autumn in the wake of the wildfire,  when I was spinning up a storm and developing a tribute color range in the colors of my mountain — such like Manzanita Blossom, and  Madrone, and Red Clover , and  Moss ,  to create a personal  palette of colors and post the recipes.  I guess when we moved to the tiny house their was no room for spinning and it all got packed in boxes, but now I fully intend to work on that project.

So, here forthcoming, more colors from the mountain, but simultaneously developed with technique of woolen spinning, learning about those particular properties . . . staple and all of that completely obsessive woolly stuff.  I’ll probably be posting in a mad frenzy now, so brace yourself, I fear my blog has caught fire.

In the beginning of Jenjoyce Design…

I’ve recently met in person a new follower of this blog,   and I was asked an interesting question ~~ what am I selling? Yarn? Even though it has seemed to me self evident all these years,  I’ve been contemplating about it since, whether it is maybe not so evident anymore.   I really never thought about this site being anything other than a blog, established 2010 (formally known as “Yarnings”) just to write about my creative projects, and life on the mountain, peppered with occasional philosophical musings, often including Emma (our dog) or Jeff (my partner), and loads of appearances by my nieces.

A little backstory:  I came on to WordPress just as craft blogging had rather glutted the cyber space almost ten years ago. I began a blog first set private for just me and some friends & family to read, then I bravely changed the settings to unlisted shortly after, so I could share the link with the broader craft blogging world, and not until I started to sell my first knitting patterns, in 2013, did I change the settings to public with the domain jenjoycedesign.com.  Originally my knitting was mostly about designing things for my young nieces, which was so amazing, and taking loads of photos of them, all which has been a colossally fun way to share time together and they’ve really gotten comfortable with modeling over the years (you see the photo shoots of them going back to the first sweaters in 2010 here in the archives  ,  but one must scroll pages back to see oldest posts). 

I guess now with so many platforms of social media, blogging does sound rather old school and maybe the whole thing about having a blog to document one’s creative endeavors can seem kind of self absorbed (especially when the author does not interact with the commentators) but I honestly gain massive inspiration from this blog, and incentive to come up with interesting things to do and write about!  Besides, I have been grateful for the followers; the chat in the comments has been grounding for me, and have always tried to engage with those few who appreciate what I’m putting out there.   Anyway this place has been and still is . . .  just a blog.

I have been doing okay selling patterns over on Ravelry.com , and my designs on my designer page there are constantly linking back to this blog for tutorials, deeper explanation & sharing of inspirational beginnings. As well, every design shown in the sidebars or up in the tabs ” My Patterns ” when clicked makes a bee line straight to the pattern page on Ravelry.

Through it all I have not yet gotten bit by the social media bug, and even though I have accounts for Facebook, Twitter, Instagram, and Pinterest, the former two which WordPress automatically posts to in my settings, I am rarely on them. I fully intend to use these social media sites more effectively in the future,  but as yet I rarely author posts specifically on any of them.

So to answer this recent question I must say that it is only digital download knitwear patterns I sell, through Ravelry.com , but a lot of what I write here is in support of those designs I sell,  as tutorials, sharing process of making,  and interest cross-overs with the wider knitting (and even non-knitting) world.  Ravelry is great, really awesome actually, and the virtual knitting platform has helped me make a little money in recent few years, although I really do work very hard at it. It is pretty much all I do these days outside of my domestic work (regretfully I have not been playing music professionally for several years now). Oh, and on Ravelry I have a forum where I support the designs, and folks can get help or make knitterly chatter.

So what are all the yarn posts,  in Tweed Chronicles and Unspun,  that I’ve got up there in the tabs?  In these things I am not selling anything, but offering up for free, my trials and discoveries ~~ that is all.

jenjoycedesign© spinning in September 2

For the present  I don’t think selling yarn & knitting related objects in a virtual shop appeals to me ,  as so many top tier indie knitwear designers do, perhaps as a sort of mark of  legitimacy,  for in these recent two years of difficult transition I fear an online shop would end up a misfire, and a hassle of retail inventory of which I have not a single square foot of space or extra time for.  I keep thinking one day I will do a virtual shop here, but for now digital pattern downloads are great;  pure intellectual goods where I have had to learn to wear all the hats, from the designing, to writing, pattern tech editing & format design, photography, and lastly design promotion.  Okay, there is the buzz word – promotion –  and marketing. All in good time folks, in good time for sure, but I need to settle in my mind and in my new home, which is still not near finished, nor are we living in it yet, before I can grasp a solid approach with it.  I am still exploring how I want to go to do my best with Jenjoyce Design.

For now Ravelry sells my patterns for me with their huge data & customer base, and my pattern design page is slowly growing in numbers, but I am only one among the thousands of competitive indie knitwear designers on Ravelry, seemingly all so similarly climbing the popularity ladder.   I want to refine and distinguish my brand, and that is to write spinner friendly patterns (with extensive gauge charts in many sizes) and so there you have it, the reason for all the spinning tech posts. I am evolving in the direction of writing patterns for every kind of knitter, but even those who are spinners and have unique gauge issues, or those those thrifty knitters who want to use recycled or novelty yarn with no clue as to how to adapt gauges. This is why I am working like an ox presently spinning-to-knit the first sweater in decades, which you can read about in the series ” Spinning For A Project ” .

I will get back to posting about Knitting In The Wild when the wild places around here have become a little more accessible in the wake of the wildfire, and which I like to do especially at the turning of the seasons,  and also sharing my recipes, and Emma,  garden, and random philosophical musings as I love to do. My life and this blog is a work in progress, and as life pushes and pulls me along my way I unceasingly strive for a perspective of positivism.  

Meanwhile, I’ve been spinning up a storm with the recent big 500g Sweater Project, spending more and more time with my Ashford Traditional Wheel in the loft space of the new house.  Although the project is epic, I am learning a lot about spinning still, and then it will be already to knit up into something I’m designing just for it!

jenjoycedesign© spinning in September 3
Early morning spinning, in thoughtful repose.

Spinning For A Project – Part Four: Fiber Preparation

jenjoycedesign© Rose Blend 7I am more than half way through my fiber preparation, and I am really happy to say that I have made a breakthrough with the blending board!   In the last two years I have been doing a lot of fiber blending experiments but it seems recently I’ve noticed my results are overly compact rolags, so much that spinning has been difficult. I couldn’t even see why I ever decided trying to spin from the rolag method or why I thought it was better.

Backstory: If you see my post from August 2017  “Woolen or Worsted?”  ,  I muse a little bit about the preparation of the wool & that I noticed how it  affects the end result of the yarn.  Whether taken off the blending board in one big batt, and pulling apart into smaller sections, or using a ” diz ” to gather a continuous roving from your carded fiber, or like I am doing here, making rolags around two dowels from off the blending board, in a perfect world, a spinner should try all ways I would think.  I am aiming for a bouncy airy “woolen” spun yarn, and why I’m practicing spinning from rolags. 

After the first 50g color test of my 500 gram project of English Rose Tweed blend, I realized I may have a technique error.   I remember back in my first blending projects , especially this one, blended with super fine & fluffy ingredients, and how light & airy the rolags were, and so very easy to spin. So I tried a change with this batch; I lifted more and pulled over the teeth less.  That’s it! Just more lifting when rolling the fiber around the dowels ( I use slick aluminum needles) to make the rolags, and less pulling, and that took a lot of friction out of the process.  I guess my technique had morphed without my thinking about it, and over time I was working the rolags with a massive amount more friction. Well I had a big ” duh ” moment, and now I am conscious of this I am getting fluffy frothy whipped woolly confections again, to spin later.
Later that is, when I’m through blending all of the rest of the carefully measured ingredients to English Rose Tweed. Committing to the long-haul of a big project is something I haven’t done in a long long time. This is work I tell you! But just look at these beauties….  
jenjoycedesign© Rose Blend 1

See all posts in this series Spinning For A Project.

(( click 1st image to go to slideshow… ))

Opalescent Spun

jenjoycedesign© opalescent 1

Opalescent is all spun.

I am amazed how six distinct pastel colors can just disappear into each other . . .

jenjoycedesign© opalescent 2

It is magic how when blended, spun and plied,  the colors homogenize into a silvery light grey.

But in this photo I enhanced color saturation with digital effects . . .

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so you can see the subtle splashes of lavender, orange, yellow, mint green, pale blue, and pink, just as the original dyed fiber was before blending together . . .

Tweed Chronicles: Opalescent

It nearly defies logic how mixing opposites on the color wheel simply neutralize each other. I honestly can say, of all my experiments in Tweed Chronicles, this one surprises me the most!

See the blending recipe for Opalescent  HERE

See all Tweed Chronicles HERE.

One + One = Spun

jenjoycedesign© skein in new loft

I have spun my latest blending experiment .

jenjoycedesign© spun.JPG

She’s a real pastel beauty,

spun on my Ashford Traditional Wheel,

which I am having a wonderful reunion with after being separated from for over a year.
jenjoycedesign© spinning

That about wraps up the first One + One blending recipe,  although I think I could have gone for even more white neutral — that would have been (1 + 1) + 1, which is blending again with more white after blending one + one,  or  1 + 2  which is blending one part dyed roving, and two parts white at the first weighing of portions.  I think I will refine this recipe a little more, but for now, its on to the Tweed Chronicles recipe I’ve been dreaming about doing,  as I’ve got in my pale primary & secondary colors finally … and well, you know where I’m going with this !