May Days

jenjoycedesign© trim

Its been a while since I posted any photos of the house-in-progress.

A year ago in May   we were in the middle of a long haul of building; contractors everywhere, loud power tools, roofers, drywallers, plasterers,  and I ached with all my being for it to be quiet and to work again in my loft. Now I must say, seven months to the day after having moved from the tiny house 500 feet up to the unfinished-but-signed-off house, amidst still tools and piles of lumber in the living room (which are still there)… I am feeling everything once again in its place, and throughout the house I hardly notice the lack of some trim and finish flooring. Especially in the loft, my workspace, a room that in the first days of last Autumn I was so eager to kit out, everything was just waiting for the sign-off with the county.  Now a bit more relaxed and seven months later I am quite charmed at the trim, a knotted board for the doorway into the loft, a real polishing touch of finish work and what a nice surprise from Jeff knowing I love the knotted boards the most.

Last May I was knitting a pile of socks for a new pattern dedicated to Emma for she just had her fourteenth birthday and in celebration I had mowed  a whole lane  where I could “walk” with my old girl Emma, who wasn’t really able to walk much anymore.  Well its May again, and I’m mowing a lot of wild grass again, and as the rain is most likely on its way out so am I watering like a maniac too. Working outside now is my big big focus. Less time for indoor things. 

Oh but maybe this…. jenjoycedesign© fishwives stole

I am making slow progress on my Fishwives lace stole I started up again in March. Its been a difficult and rough couple of months with Emma gone and the whole pandemic thing , but I’ve been throwing myself into the yoke,  figuratively and literally,  as I’ve learned that hard work is the best medicine through sorrowful times and uncertain times.

And this, a sweater yoke ….

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I guess its about time I mention that I’ve been working on a new design that in subject relates to all that I have been posting about in the series in recent posts “Gifts From The Sun“.   For a few years now, I really do enjoy researching something as a mark of inspiration connected to a new upcoming design, while spending the hours knitting myself to exhaustion, with plenty of ripping out and starting over that goes a long with it.  I have been thinking about a few things; the wool/yarn industry in Peru and its relationship with the people of the Andes, of tempering my yarn snobbery and trying to have an open mind about a yarn that frankly I never paid that much attention to. A yarn that I have used to make felted satchels for many years, and that as why I had quite a lot of it around, because a couple of months ago, I was knitting many sturdy basket tote bags and felting them for my new pattern Maiya’kma.

Now, again, the same yarn is on my needles for something entirely different. Words that come to mind ~~ moderately soft, quality, plies, strong, classic, and with a colossal selection of rich colors ~~  I must say its rather blowing my mind that this all-purpose and inexpensive one-hundred percent Peruvian wool yarn has made it to my top favorites as a colorwork sweater yarn, and very unexpectedly. I just never thought about it in this way.  

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More in the weeks to come!

settling in

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I have begun collecting little treasures from Autumn ; a leaf from a Black Oak turning gold, a curl of Madrone bark, and a freshly fallen Douglas Fir cone.    It was almost a year ago in Autumn that I found this novelty  . . .

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Now the vintage Four Posts are finally kitted out with a mattress and bedding,  and  so I’m going to fling off my shoes and curl up on it with some strong coffee made in a cezve (my thing lately) with fresh shortbread just out of the oven,  and contemplate which small quilt I will attempt to make first from  “Civil War Legacies” by Carol Hopkins.

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The loft room (still without a door as you can see), the kitchen, and upstairs bathroom are the only rooms in the house able to be used thus far,  while the main part of the house remains a mess of building, tile dust, and tools. But there is rumor ringing through the rafters, that we may move in this coming weekend, or should I say move out of the tiny house . . .  fingers crossed!   

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newness & oldness

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Spinning in a room that feels old and familiar,

yet is barely even new.

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The rest of the house is in building chaos & still no doors,  but I’ve got the skeleton of my Loft room in place,  filled with old furniture.  I have everything I think I could possibly need, as I have been collecting the essential now for nearly two years, and some unessential as well. I am exhausted of shopping,  I want to be doing now.

I have struggled with the place of things in this room,  but now I think I have arrived at a floor plan that works, although a bit on the cozy side. I am so intrigued with clean surfaces lately, with everything in its proper drawer or cabinet, so the bookcase of three shelves is potentially problematic and some day I plan on downsizing as it for its too large for my little library,  dangerously inviting clutter, and therefore indecision into the room.   jenjoycedesign© spinning in a room 6

I have been indecisive and feeling strangely familiar with everything, yet at the same time I feel an awkward discord just not being use to anything.  I hope that odd feeling goes away in time as I begin to work at things, because now all tools of the trade are ready.  I am waiting for the waves of inspiration to carry me away!

So far only spinning for a project.

I am committed to these fluffy beautiful swirls of wool and getting themt spun at a casual pace in the weeks ahead,

and committed to getting to know this room of newness & oldness.

Tweed Chronicles: One + One

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How good it is to be back to my Tweed Chronicles!  I seriously have been yearning for this moment for what seems forever, thinking about wool blending in my sleep.  So having moved tools of the trade into the new loft room, it is with great celebration that I resume my blending experiments, just as I was doing two years ago.    I have been contemplating a pale palette over the last year, ” pastels ” just appeal to me these days, wanting to tame the intensity in life with soothing color I suppose.  I received so many gifts from the spinning community after the wildfire, not only a beautiful Ashford Traditional spinning wheel from “L” (thank you so much L , I am forever grateful, and the Ashford is working beautifully after being stored four seasons in a shed!)  but there were many gifts of spinning wool too (thank you & hugs to everyone who sent wool!).  So now having everything nicely within reach, I looked over it all and got an idea with a hand-dyed color braid I found, by Nest Fiber Club, called “Muse”. 

Wanting to lighten up the color a great deal, I added one part white. I went from these . . . 

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To these . . .

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to these . . .

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and finally to these . . .

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I reckon I will be spinning up these tasty wool sausages next and seeing how my hand at the wheel does after an unplanned hiatus.  This was the perfect re-entry into my blending experiments too, although I was a bit forgetful about the steps, it came out lovely. Now as I need some practice again with my recipe documentation, here’s how I did it . . .

♣     ♣     ♣

Techy stuff for One + One…

  • Recipe I am calling “One + One” is 1 part hand-dyed colored roving plus 1 part undyed roving in natural white, grey, brown, or black, etc. (in this case white).
  • I split a sliver off the “side” of the length of dyed roving, along the entire length so that it has the same colors in sequence as the hand-dyed roving. I then weighed, and it was 28g. I then matched the same weight in ultra fine white merino, totaling 56g.
  • Then divided the two rovings equally into  4 thinner slivers ( made into little rolls to photograph) to hold together while drawing onto the teeth of the blending board, until the teeth were moderately full ( which actually only took three times, and why you see my wool rolls count go from 4 to 3)
  • Using paintbrush tool to lift batts from board, (rolling up again to photograph 1st mix) I drew out each roll onto the board again as before, resulting in slightly finer mixing of color, for a second batt.
  • Repeated last step again, ending after a third time.
  • Drew off rolags.
  • See ALL color blending experiments & recipes archived in Tweed Chronicles

Click 1st image in mosaic and go to slideshow in sequence with commentary… 

new place

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My friends, I feel nearly back home because I have moved all of my tools of the trade into the work space that I have been without for what seems an eternity, and it is ready as ever to begin productive times.   As  posted a few days ago  ,  I have been busy moving into the new loft space, things I acquired since the wildfire; furniture from odd thrift & antique shops, now all packed to the gills with needles & tools, as well as wonderful yarns & delectable fibers to blend and spin.  These things which had stored in places frustratingly inaccessible for over a year, now are all very very much in my reach. jenjoycedesign© New Loft 2
Waiting to get back on with Tweed Chronicles,  as my home-made custom blending board #2 is ready to resume blending experiments . . .
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And I do want to become better at photographing too. And oh look! It is the ledge of ledges, beneath the south skylight, is nearly as before . . .

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The place of hundreds of photographs of knitteds past . . . here my long missed endlessly artful friends Light & Shadow announce their official return!
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In the weeks and months ahead the house will slowly get finished, you will see it all happening in the backdrop of things as I post about this & that, then one day almost without notice, months down the line,  we will be moved from the tiny house up into the rebuilt house again, and life will be something like “before”.  I feel a deep gratitude to those of you who encouraged me along the way, through the worst in the wake of wildfire and beyond.

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How very interesting, a natural glyph in the beam ~~ ” p o ”  Now I think it is time to resume the work that I love, and I am overjoyed knowing that the most important things are at long last, here. Everything in its purposeful place, and life is good.

Landed in the new loft…

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Hi everybody,  its me,  Abelene.

We have landed!  Me, the Ashford wheel, and some dusty old baskets, up here in the new place, because Jen has decided to take claim and begin getting her tools of the trade into the far-from-finished loft, and months ahead of the house completion.  Jen spoke of a basket with a sock project in every room a while back in Never Far From A Prayer, and well, she ended up with quite a few (she says she’s embarrassed to admit just how many) vintage Longaberger baskets to load up with knitterly things. And spinnerly things too, and stash about places. She’s got plans for them all. The beautiful Ashford Traditional wheel is going to need some real polishing up, and the drive band got eaten by a mouse in the shed over the last year. Such is Life In A Shed.  Jen wants me to tell everybody how much she is looking forward to getting back to spinning and the Tweed Chronicles once her blending board #2 is all set up.

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Me, Ashford & The Longabergers, we love our new dwelling, and are snug as a bug in a rug!

Ta ta for now,
Abelene

six days . . .

jenjoycedesign© new walls finished I have disappeared for a few days from my usual talkative places, but have been working very hard finishing the walls of my loft room studio. After six days I have just the affect I wanted, a look of weathered exterior walls of an old building, which makes for a very interesting photo background, and begs to have some interesting old hooks mounted.
jenjoycedesign© rubbed sienna tone for ' old building ' affect
Since last Tuesday I have plastered with Emma’s fur, painted two coats of primer, two coats of base color (with a quick sanding between coats of color), then finally this morning rubbed a faux finish with a watery semi-gloss sienna tone.  Here is the base color, nearly salmon . . .
jenjoycedesign© base color coat
The end result is a bit different than before, but hopefully the same warm terracotta mood as before, however, I do think that I may put in some more ‘veins’ of sienna color in the big wall, after this all dries . . .
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Apparently after six days I am still not finished.  Of course, I refined my method as I went, so the first sections are a bust and must be painted over and refinished;  a bit disappointing, and definitely anticlimactic, but I can’t settle for ” almost right “,  its either right or its not right.    I just can’t wait to move my yarns and tools of the trade into this space, and yet I have to wait until the room has had the electrician finish so that I may begin to occupy, which is realistically in July. So still some weeks still.

Fun Fact: Did you know that in old days horse hair was put into plaster to reinforce the plaster? So Emma’s fur in this plaster (although in artful clumps) isn’t far from the old way of doing things.

 

Plastering dog fur !

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Our construction folk won’t be here this week so I’ve decided to plaster the loft room by myself, incorporating Emma’s fur into the mud.  The style is haphazard, but excellently artful and as this is my studio room as well as guest room, that suits everybody just fine.
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I will go over the surface with a damp sponge to knock off the sharp high spots, and then the many coats of paint will completely soften the rough surface, and be less “hairy”, and hopefully end up looking rather old-architectural style. Most importantly, part of Emma is now embedded in the walls of the room, and that means a lot to me.

Just for the sake of interest, the tree pictograph ” Po ” continues to be a photo opportunity, and in itself, a marvel!

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And with the rest of the week ahead all by myself, I’m going to see if I can get the room painted to my liking, as before; an undercoat of primer, then a couple of coats of the lightest tones in the fir (a peachy tan), with the deepest tones in the grain to be rubbed on for glaze (a sienna brown).

Po

jenjoycedesign© loft room 3

Knots and crevasses in the wood make mysterious pictures and words. Tree pictographs. What do you think this beam in the loft room is saying?  Wood speaks, sings, and I am sure this word is going to give meaning to something, on down the road.

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Look here, the loft room just waiting for me to move into it, it is beckoning me to come inside with all my newly collected tools of my trade.  About now I am ecstatic because things are really happening!  As I post this,  the plasterer is about finished with the taping, and tomorrow will be back to perform his artful texture.

jenjoycedesign© loft room 2

Now looking through the doorways into the loft room, I am so much more encouraged than I was back in February, with a Then & Now post.  These are rooms taking shape, rooms that have impacted my life, and will again, in a deeply profound way.   So many times I would photograph through the front doorway, and capture the bliss of the woods as if through a magic portal, and post here on my blog with a thought of the day.  And now we finally have a front door exactly as the former door was.

jenjoycedesign© front door

I do feel a great sense of release of the unbearable heaviness of loss and of waiting. It is such a tremendous gift that I am even here posting these progress photos with you, about something that feels so much like a death & rebirth in a span of a few years, but ripples out into my life in the furthest way, arousing a constant resonating gratitude.

♥     ♥     ♥

 ” Po ” . . .  to me,  in this moment,

translates to ” peaceful offerings ” from the mountain.

Stay tuned, so much is happening now, and I will no doubt be back very soon.

New Loft (( progress ))

jenjoycedesign© loft room progress 2 I have just been up to the house and its a lovely morning to photograph the new loft room progress, after the sheetrock has started. I am so pleased about this beautiful space, and I think it may even be more lovely than before, as there are a couple improvements made.  I am completely obsessed about this room, and work space to be!   ((click 1st image to go to slideshow))

Do you recognize that ledge, on which I took so many photos of knitted things and yarns? I just wanted to post these photos, but its time to get back to my frantic sock knitting, but thanks everybody for your comments, and I promise to be talkative again on the flipside of my sock-knitting May-nia.

Meet the Feet & Hands!

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These sock and mitts blockers are outstanding in quality and workmanship, they are made from a woodworker from Ukraine, and I recommend them one-hundred percent if you’re looking to get some. They can be found on Etsy at Alex Workshop Design.   As for the mitt blockers, so lovely, and just look at the way the thumbs tie on so that you can slide the mitten or glove over the palm & fingers with ease, then slip the thumb in last.

jenjoycedesign© hand

I am already envisioning my next glove design, and am pretty excited about my new blockers.  I felt purchasing some proper blockers to photograph my knitwear accessories was just bound to happen eventually.   Abelene is just over the moon about the new Feet & Hands by the way,  and just can’t wait until I dress them up with forthcoming socks, and future mitts & gloves!

♥    ♥    ♥

House Update Addendum

I am shifting gears for future Jenjoyce Design Studio Loft (a.k.a guest room, lol)  move-in date.  A lot of backstory, some of you have followed the details since the wildfire, but rather than get bogged down in that mire, I’d like to focus on the positives.  I long to be hyper productive as I remember I was two years ago at this time, with everything I needed at my fingertips, and know I will be again, as soon as I get my  crafty gear up to the house, even if it is woefully unfinished workspace, I know time flies and I can establish a new level of productivity.  Oh, the latest photos of  the loft . . .

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The subfloor still is not in place, but the roof is on and windows all in!  My old friends Light & Shadow are taking over the house already, playing their magic among the beams.

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As soon as the drywall for this room is finished, plastered & painted, I am moving my gear and the furniture I’ve collected for this space IN. Jeff agrees that is okay, so with fingers crossed that might be in June? Forget the final inspection sign-off and full move-in, as Jeff and I are left with a heap of work after our builders are finished with theirs, bumping the official house move-in until who knows when, as late as late Autumn. Jeff is so overwhelmed with his workload from his job and the house, so I really have to ease up on forecasting anything. All I can do is be positive about this one room, remain in good spirits and be ready to hit the ground running as they say.

Some photos from the archives of the original loft room . . .

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From the Archives: ” Objects de Arte

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From the Archives: ” My Knitting Companion

I miss so much my familiar old loft space of years ago, but soon to be again, although I must accept how it will be different and anew. I have decided it is good if I post often about the progress of The Loft, even if the rest of the house progress is going slow, so expect addendums to be more frequent.  I have far less stuff now, of course, and am visualizing the room to be kitted out with the essentials  only, and I’m so looking forward to seeing that develop minimally.

Signing off with a massive spring downpour of rain!

June Into July

jenjoycedesign© pink.JPGChecking in from the hermitage. I’ve been knitting up a pile of rectangular shaped things, in various sizes, in pink and in grey, for what at first was to be one prototype turned out to be many,  although I am in the last stretch.  These have admittedly completely consumed my time but there is the possibility that this forthcoming ensemble will be one of my favorite designs to date, so well worth it. Let the hours and yarn and heat exhaust me to sweet slumber every night.

Here is a sneak peek of one of them pinned and drying …

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Meanwhile Emma and I have done very little walking, for the hot summer days have put us both into a trance, for me the memorable events being turning of rows from right side to wrong side and back again.  I am all over that fresh brewed cup of French Roast and I’m throwing stitches in a caffeine induced frenzy.

♣ ♣ ♣

Incidentally, another past-time of mine while knitting the lace shawls, is perusing old films on youtube about tweed-making, and here is one I discovered,  hope you enjoy it…

Artful Patches

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These days when I take a needle & thread to mend,

I attempt to do something artful.

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Becoming intimately involved with warp & weft in the fabric of something that you wear on your skin is beautiful,

and maybe even a little bit essential.

It is such a novelty these days it seems,  to have any skills at all in mending.

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Do you recall this  linen shirt make-over from nearly two years ago?  You might recognize the collar re-do,  and already I have nearly worn a hole in the linen,  and this is just a fun patch job of it, although the white-on-white is not really easy to see the detail, especially in this early morning light.

I have a second shirt I’m patching here,  that is full of holes, and I am using it to practice my new ‘quilt patching’ technique.

Here is what I do:

  1. Whip stitch hole shut, aligning grain of warp & weft  threads as much as possible.
  2. Cut squares of new fabric on the grain, big enough to fold back up to 1/4 inch hem on all edges.
  3. Iron all edges to fold in, and pin to garment with care to aligning grain of fabric with both garment and patch.
  4. With a simple running stitch, sew as close to edge as possible, then again, artfully fill in the patch with shapes, ‘quilting’ the patch against garment, which improves wear of patch as well as looks good. Almost as if you stuck on squares to quilt for the pure craft of it!

Quite a hash of patches, but it makes the shirt all that much more of a treat to wear again!

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Just in case you’re curious, you can see all posts “New From Old”  HERE (including this one, but scroll down!)  This category has grown over the years, sharing  artful mending & upcycling that I have done, where even I go deep into the warp & weft and try my hand at difficult weave darning.

I hope you try the quilted patch on one of your holey shirts, and see how useful as well as lovely a simple running stitch can be!

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Footsteps 4

jenjoycedesign© cafe sock-knitting

I have been enjoying the cafe culture lately, here with my favorite afternoon treat outside on the patio, a cafe latte & and knitting upvalley, stopping off at St Helena Coffee Roastery on my way home from Calistoga last Friday, after photographing my nieces in their Spring Tees 2017

The days are blissful here on the mountain, with brief spells of sun transitioning back to grey & wintery.  Rain, fog and lingering cool air, as if the season doesn’t really want quite yet to get balmy yet (which I’m fine with), and I am rising above all that oppresses me!

jenjoycedesign© Wild Wool with Ripples Crafts

jenjoycedesign© Wild Wool Country Socks with Ripples Sock Yarn

Still, there are explosions of wildflowers beginning to bloom~~ lupine, clover, paintbrush, poppies, brodea, iris ~~ all heralding the Spring season,  regardless of the reluctant temperatures.  I have wrapped up a lot of epic knitting projects in recent weeks, while kicking off new big BIG design conceptions,  and yet more socks keep coming off the needles. These were such a pleasure, knit with such color that I couldn’t be the least bit gloomy when knitting them!

Pattern: Wild Wool Trail Socks in the ‘Country Sock’ variation.

Yarn: Ripples Crafts Hand-dyed Yarns, in   Reliable Sock, in “Assynt Storms” colorway. Note: I highly recommend this sock yarn, for it is really beautiful yarn to knit with, and dying is exceptional with no muddy spots, all pure blends of colors, sparkling, and with quick color transition.

Details on Ravelry HERE.